Sunday , May 19 2024
This New York-based singer-songwriter honors the grown-up troubadour tradition of Carly Simon and Carole King.

Music Review: Leslie Mendelson – Swan Feathers

I saw Leslie Mendelson a few years ago at a now-defunct Brooklyn bar, when she was just another singer-songwriter making the rounds of the New York clubs. I was impressed then; now, with her debut on Rykodisc, she emerges as an inheritor of the grown-up troubadour tradition of Carly Simon and Carole King.

These vinyl-era influences are clear in the hummable melodies and thrumming keyboards of the first two tracks, the smooth and stately “I Know You Better Than That” and the brightly piercing “So Far So Bad.” The gentle ballad “Rest of London” follows, bringing a slightly more modern sensibility with its ambiguous lyrical conceit; nevertheless the song and arrangement remind me more of Leon Russell’s classic original recording of “Song For You” than of anything current.

Vocally, Mendelson has a softer timbre than her 1970s predecessors, with more of the subtle expressivity of Kim Richey than the rich depth of Carly Simon. In fact, the next track, “I See Myself With You”, could almost be a Richey tune, except that the lyrics don’t quite reach that epitome of pithy pointedness that mark the greatest pop songwriters; the same is true of the acoustic ballad “If I Don’t Stop Loving You,” which marries a gorgeous little melody to lyrics that strike me as just a bit too cliched.

The mid-tempo “Easy Love” has a plainspoken, Eagles-like chorus dense with harmonies, while the bouncy “Hit the Spot” alternates jazz-pop verses with Motown-like choruses. In spite of the stylistic variety, however, by the midpoint of the 11-song disc I found myself getting a little bored. It’s partly that the best songs are on the first half, but also partly that the whole endeavor — well-constructed songs, gently flowing but icily perfect arrangements, and carefully controlled singing — has a cautious feel to it, as if Mendelson and her co-writers didn’t want to offend even one potential listener.

Individually, though, each song has a lot of strengths. And who listens to albums straight through nowadays, anyway? In the download era, it’s a new Age of the Single … but only sort of. A lot has changed in the way music is “consumed” these days. Though there are any number of tracks here that could have been singles in the old days, it’ll be interesting to see how this sweet, old-fashioned thing flies.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

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