Friday , April 12 2024
Olney and his main co-writer, John Hadley, have felt-tipped a subtle new entry in the Great American/Americana Songbook.

Music Review: David Olney – Dutchman’s Curve

David Olney's been knocking around since the '70s; the difference is that now there's a comfortable label to apply to his alternately scrappy and lyrical sound. "Americana" was invented for this kind of stuff. His wizened baritone can rock ("Train Wreck") and soothe ("Red Tail Hawk"): "Where my legs go/I will follow/Where the wind blows/I don't care/As long as I know/That you love me/Wherever I go/You'll be there." Simple tiles like this build colorful mosaics of hard-earned knowledge transformed into art that's solemn, celebratory, and sometime playful too, as in the '50s-rock-style "Little Sparrow," about—unexpectedly—Edith Piaf.

Olney sounds tired in some of the songs, his voice pulling away; one wonders if it's done on purpose to draw the listener in. The laid-back sound certainly pays off in "I've Got a Lot On My Mind," where a besotted "lazy so-and-so" explodes into an exuberant scat—all he can produce in light of the "beauty and the power and the danger" of his inamorata.

By contrast, in the gently rolling "Mister Vermeer," contemplating an image of "Girl with a Pearl Earring" inspires the singer to verbalize: "I could rule the world/If that look were meant for me." He talks the verses, Townes Van Zandt-style, as if no melody could match the beauty of the painted image, as perhaps none can. Together with the sweetest song about an armed train robbery that's probably ever been conceived, "Covington Girl," it forms the warm nucleus of this 13-song disc.

Highlights of the second half include the bluesy grumble "Way Down Deep," with its braying horns and melodic echo of the Beatles' "Helter Skelter"; Olney's droopy, roughened take on the Flamingos' undying "I Only Have Eyes for You"; and the homey, comely love song that closes the CD. But pretty much every track here has its charms. Olney and his main co-writer, John Hadley, have felt-tipped a subtle new entry into the Great American/Americana Songbook.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at http://www.orenhope.com/ you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at http://parkodyssey.blogspot.com/ where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

Check Also

The Coal Men

Music Review: The Coal Men – ‘Everett’

What The Coal Men have that not many amplified Americana bands do is gripping songwriting that makes their dark sound grab hold and sink in.