Blogcritics The critical lens on today's culture & entertainment
It’s sad when I have to say that one of the best films I saw in August didn’t even open until this weekend. But alas, director Antoine Fuqua and Denzel Washington have reunited to deliver one of the best TV-to-film adaptations with The Equalizer. When I saw the trailer, I was not impressed. It looked like another run of the mill thriller, with a convoluted sounding plot and nothing to distinguish itself outside the names of Fuqua and Denzel. Thankfully, The Equalizer is a big ol’ blast of badass that audiences are in dire need of.
Robert McCall (Washington) lives a quiet life in Boston. His apartment is bare bones and he works at the local home improvement store where he helps encourage his co-worker Ralphie (Johnny Skourtis) to lose weight in order to get the security job at work. Robert spends his nights with insomnia, watching the hours pass by at a local diner reading books and waxing philosophical with a teenage escort named Teri (Chloe Grace Moretz). When Teri ends up in the hospital, Robert goes to make a deal with her pimp Slavi (David Meunier) and is left with no other choice but to kill everyone. Now, Robert has triggered a war against the Russian mob with their number one fixer, Teddy (Marton Csokas), trying to find out who Robert really is, find him, and kill him.
Perhaps the biggest surprise about The Equalizer is its attention to character. Fuqua’s restrained direction helps build tension as we get to know Robert and actually care for his survival. That’s something most action films rarely see these days with shoot-first-character-second attitude. Fuqua has also surrounded Washington with some great costars—Bill Pullman and Melissa Leo as friends from his former life. Leo is no stranger to the Equalizer’s world having guest starred on the original series. It’s also a reunion for Leo and Fuqua as she appeared in Olympus Has Fallen.
Screenwriter Richard Wenk never comes right out and divulges McCall’s past, but it becomes pretty clear as the film rolls on—especially during the big finale. Let’s just say, never play Home Alone with a trained killer in a Home Depot-type store. This whole sequence could also be looked at as a brilliant send-up of his early days directing Black & Decker commercials. Washington continues to get more badass with each film, showing no signs of slowing down. And while they may not be aiming for the Academy Awards again—back when Washington won for Training Day— the two of them work so well together, I welcome any sequel they have to offer. That’s something which is set up in the last scene. The Equalizer is one of the year’s best thrillers.
Photo courtesy Columbia Pictures
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