Ang Lee's last film was created in High Dynamic Range, 4K, at 120 frames per second and in 3-D. In English that means that, compared to your big-screen HD TV, the film has more colors, four times the definition, four times the frame rate, and depth. This is the most technologically advanced feature film ever made.
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Film review: ‘Sacrifice’ Starring Radha Mitchell
"Sacrifice" is an attractively lensed story that begins promisingly in "Wicker Man" territory but disappointingly devolves into a routine mystery.
Read More »Tribeca Film Festival Review: ‘By Sidney Lumet’
What would you do if you saw a violent act by a gang of 6 being perpetrated against a teenage girl?
Read More »Movie Review: ‘Vaxxed: From Cover-up to Catastrophe’ – A Controversial Film
Is there a link between autism and the MMR vaccine? The medical community says no.
Read More »Blu-ray Review: ‘The Revenant’
"The Revenant" utterly lacks extras, but is an enlightening experience in film.
Read More »NAB Show 2016: Batman Versus HDR – You Ain’t Seen Nothin’ Yet
Eighty-nine years ago, Al Jolson said to the audience watching his film 'The Jazz Singer,' the first film with synchronized dialog, “You ain't heard nothin’ yet.” After viewing the demo of High Dynamic Range (HDR) video and Dolby ATMOS sound at the Future of Cinema Conference in Las Vegas, I can confidently say, “You ain't seen nothin’ yet.”
Read More »Movie Review: Disney’s ‘The Jungle Book’ – Going Beyond the Bare Necessities for a Great Film Experience
Director Jon Favreau and screenwriter Justin Marks have taken great care in getting the beloved Rudyard Kipling story right.
Read More »CinemaCon 2016: Walt Disney Studios, Universal Pictures, Lionsgate, and the Big Screen Achievement Awards
Formerly known as ShoWest until it was renamed in 2011, CinemaCon is the trade show held by The National Association of Theatre Owners at Caesars Palace in Las Vegas. Over four days, the movie studios make presentations about the latest and (hopefully) greatest films they are about to release to …
Read More »SXSW Film Reviews: ‘Jack Goes Home’ and ‘My Father Die’
Two arty thrillers from emerging directorial talents made their searing debuts at this year's festival.
Read More »SXSW Film Review: ‘The Seer’ Produced by Terrence Malick and Robert Redford
Terrence Malik and Robert Redford's "The Seer" asks what impact do you have on the land, your community, your environment?
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