Sunday , May 22 2022

CEO of Consumer Electronic Association On “Copyspeak”

Gary Shapiro says the entertainment industry is full of it:

    The pervasive theme of copyspeak is that downloading from the Internet is both illegal and immoral. It is neither. No doubt this era’s rapid shift to digital technology is changing the rules of the game–there is little doubt that some use the benefits of technology to make and distribute unauthorized copies for personal financial gain in clear violation of copyright law.

    But we’ve been down the road of technological advancement before. How we resolve this latest tension between copyright and technology will define our future ability to communicate, create and share information, education and entertainment. Indeed, if the play button becomes the pay button, our very ability to raise the world’s standard of living and education will be jeopardized.

    With each new technology, the fears of the music and motion picture industries have grown. Television and the VCR allegedly marked the end of movies. CDs and cassettes would cause harm from real-time transfers and one-at-a-time copies. Today’s technologies make these fears seem almost quaint.

    The growth of reproduction, storage and transmission technology has terrified copyright owners–most notably the music and motion picture industries. With high-speed connectivity and the Internet, the perceived copyright theft is not buying a CD and making a copy for a friend; it’s downloading from a stranger or making available thousands of copies with the touch of a keystroke.

    Based on these and similar threats the content community has gone on a scorched earth campaign–attacking new recording and peer-to-peer technologies–using the Congress, media and courts to challenge recording in the digital age.

    As an industry that recognizes the legitimate concerns of copyright owners that exist in a digital world, consumer-electronics companies have been working for years with both the recording and motion picture industries on developing technological measures that meet the needs of both industries by protecting content at the source.

    …The music industry has made little effort to look at new business models or provide a viable and attractive alternative to the downloading services. Instead, they spend their time complaining they “cannot compete with free,” referring to the free downloading the Internet allows. But the marketplace demonstrates you can compete with free. Purveyors of bottled water do it. America Online does it. Book retailers do it with libraries. Independent online music services say they can do it, if they can clear the rights.

    The recording industry and motion picture industry need to look for technological solutions to their own problems. Blaming declining revenue on downloading ignores the economic conditions, multiple entertainment options and a dearth of quality major label artists facing consumers. Content providers would be served better by working with technology companies to deploy these solutions rather than suing teenagers and lobbying Congress to legislate unreasonable and consumer-unfriendly mandates.

(Visited 1 times, 1 visits today)

About Eric Olsen

Career media professional and serial entrepreneur Eric Olsen flung himself into the paranormal world in 2012, creating the America's Most Haunted brand and co-authoring the award-winning America's Most Haunted book, published by Berkley/Penguin in Sept, 2014. Olsen is co-host of the nationally syndicated broadcast and Internet radio talk show After Hours AM; his entertaining and informative America's Most Haunted website and social media outlets are must-reads: [email protected],, Pinterest America's Most Haunted. Olsen is also guitarist/singer for popular and wildly eclectic Cleveland cover band The Props.

Check Also

Music Reviews: John Fred, Caroline Spence, Abbie Gardner, the Muffs, Delbert McClinton, Abigail Lapell, and Marc Jordan & Amy Sky

A 1960s one-hit wonder, up-and-coming folksingers, a punk-rock reissue, and more new releases.