Sunday , January 23 2022

CDs, MP3s and Mileposts

Noisy-Le-Grand leader Lars Murray explains why MP3s and CDs aren’t an either/or proposition:


    MP3-enabled portable CD-player
    5-disc MP3-enabled DVD changer
    25-disc CD changer (not MP3-Compatible)
    Rio 500 (Busted serial connection)
    Speakeasy DSL at home, T1 at work
    Limewire Pro (RIP Audiogalaxy)
    Cassette tapes (20-year library of mix tapes)

    Caveats: I like hassle-free stuff. I am also not a first-wave adopter, as most first wave products are unreliable and are overpriced. I do not collect DVDs; I subscribe to Netflix (the greatest thing since sliced bread, or maybe Napster). I rarely buy any music based on radio play. I sometimes see stuff on TV, but mostly I buy based on press, borrowing from friends, and online previewing.

    Why I still buy CDs:

    1) The sound quality is uniform
    2) They are reliable (burned audio and MP3 CDS still don’t always work
    in all my devices)
    3) I like collecting them
    4) I like supporting bands (regardless of your view of label practices, Soundscan numbers help a band)
    5) I can rip songs from them for compilations and MP3 players
    6) I can rip them for traveling and leave the original at home
    7) I like to have the artwork
    8) They are manageable

    What is not so good about about CDs:

    1) At 17.99 list, they are overpriced relative to DVDs
    2) They relatively bulky; a pain to travel with.
    3) I cannot legally buy a decent compilation in many genres
    4) I am reluctant to risk $14+ on a CD if I have not previewed it and like at least three tracks
    5) A lot of stuff I want is not in print.

    What is good about MP3 sharing and ripping:

    1) Purchases made in the last couple of months (some new albums, some I had never paid attention to) that would not have happened without P2P
    Dusty Springfield
    The Vines
    Lee “Scratch” Perry
    Andrew WK
    Buck Owens
    Waylon Jennings
    Guided By Voices

    Artists previewed but not yet purchased, in all but one case because the original albums are not available, or the available compilations omit important tracks:
    Faron Young
    Porter Wagoner
    Gerry And the Pacemakers
    The Adverts
    Ian Dury
    Flying Lizards

    Artists whose stuff I have not been able to find and preview through P2P, (and who should maybe wish I could) suggesting that indies are neither hurt nor helped.
    Josh Rouse
    Viva Satellite
    LES Stitches
    Noisy-Le-Grand 😉

    2) Compilations that I have made with tracks acquired through P2P in the last month, in all cases mixed with material from CDs I own
    Summer 2002 mix
    British Invasion
    Pub Rock
    London 1981

    3) Artists easier to find online than in stores: Virtually all of the above.

    4) I can carry a ton of music with me when I travel, if I want to hassle with building playlists.

    MP3 Disadvantages

    1) Wildly inconsistent sound quality and levels
    2) Lacking an IPOD, filing and playing back from a huge MP3 library is a pain, especially in the car.
    3) Obscure stuff is difficult to find
    4) Filenames are all over the place
    5) Every P2P program ever has severely impeded my computer’s speed and function. I don’t even know why and I don’t have the time to explore.
    6) Gnutella downloads would fail any reliability test
    7) I still use the old Adaptec software, and I’m too cheap to upgrade, so my burned CDs do not have CDDB info. Thus burning is a pain, and slow.

    Bottom line, free ain’t everything. It’s probably irrational to keep buying CDs, but entertainment isn’t rational. In fact, when it becomes rational, the market is probably not delivering the correct value proposition.

I freely admit up to this moment I have had no motivation to use MP3s whatsoever. My situation is fairly unusual I’m sure: because I am a music writer and radio programmer/DJ I get about 30-40 CDs a week and there’s no way I can get through those let alone go rooting around the Internet for more.

The MP3’s I have listened carefully to – my own music – when compared with original WAV file sound like crap: very thin, very narrow, very AM radio.

Also, I have to get the documentation: the liner notes, credits, art work is sometimes as or more important to me than the music itself, which seems orphaned and lost in the world without names and facts to anchor it. If I hear something I like, I want mental mileposts to help find it on the map or it just drifts off into the Great Uncharted.

Any service is going to have to take this into account to draw my attention, time or money.

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About Eric Olsen

Career media professional and serial entrepreneur Eric Olsen flung himself into the paranormal world in 2012, creating the America's Most Haunted brand and co-authoring the award-winning America's Most Haunted book, published by Berkley/Penguin in Sept, 2014. Olsen is co-host of the nationally syndicated broadcast and Internet radio talk show After Hours AM; his entertaining and informative America's Most Haunted website and social media outlets are must-reads: [email protected],, Pinterest America's Most Haunted. Olsen is also guitarist/singer for popular and wildly eclectic Cleveland cover band The Props.

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