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Music Review: Nona Hendryx – Mutatis Mutandis

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There used to be a strong connection between popular music and its audience. This was especially true of protest music, but even regular pop music spoke to the interests and concerns of those listening to it. However, the more music has been taken out of the hands of individuals and become big business with a bottom line, the more it has been watered down. So overall, it has become more about style than content. Worse yet is the cult of celebrity that has sprung up surrounding the performers, making them objects of admiration for their fame and wealth instead of their talent or what they have to say.

While there are some exceptions, they seem to be fewer and fewer each year. So it was wonderful to hear the new CD from Nona Hendryx, Mutatis Mutandis, being released July 31, 2012 on Ani DiFranco’s label, Righteous Babe Records. Not only do her lyrics express opinions on subjects most people are uncomfortable even talking about, musically the disc is exciting, passionate and raw. Even better is that when listening to Hendryx, you feel her connection to what she’s singing about. Topics range from religion to politics, but she performs them in a way that anybody listening to the songs can relate to. They’re about what we see on television, hear in the news and see on the streets around us. And, the songs are delivered by a voice whose experiences of these subjects are much the same as our own.

The opening song, “The Tea Party”, isn’t about American history, but the political party that has co-opted history in an attempt to lend itself credibility. Against a driving funk backdrop, Hendryx outlines all the ways these self-styled patriots are really the anti-thesis of what America stands for. “They say they want to take their country back, but don’t they know it wasn’t theirs and that’s a fact“. However, the song isn’t just the usual liberal whining about those bad guys on the right. Instead, Hendryx spells out the reality behind The Tea Party’s fine sounding rhetoric and exposes their real agenda. For a party who claims to be all about liberty and freedom, they sure do want to deny a lot of people the freedom and liberty to be who they are and make up their own minds about subjects.

Critiquing religion/churches is always a sensitive subject because it’s too easy to paint everyone with the same brush and make sweeping pejorative statements which are as much an injustice as the behaviour being protested. In “Temple of Heaven,” Hendryx walks the fine line of being critical of the way some people use religion as a means to an end without coming down on either any specific denomination or faith itself. There’s nothing wrong with going to the church of your choice, but what’s wrong are those out there pushing hatred in the name of their God. Far too many songs of this type alienate the majority of people because they come across as anti-religious, By being very specific with her target, Hendryx increases the chances people will pay attention to what she’s saying and makes the song far more credible than if she just complained about church or religion.

What I really liked about Hendryx’s approach to her material was she continually found ways to sing about a subject that didn’t make it sound like she was preaching to us or that she’s somehow morally superior to us. To quote Lou Read’s “Strawman” song, “Does anybody need another self-righteous rock singer?” Here, Hendryx doesn’t come across as self-righteous. Listen to her “environmental” song “Oil in the Water”, and you’ll hear her talking about oil spills: “There’s oil on the water that no rain will wash away”.

She doesn’t just talk about the evils of the oil industry, however. She’s created a song which talks about how oil spills are a symptom of what’s wrong with society today. The song is about corporate greed, true enough, but it’s also about how we’ve all become disassociated from the world around us and the danger that it represents. Even better, like all the tunes on this disc, she doesn’t make any distinction between those listening to her music and her. We’re all in this together and nobody is exempt from responsibility.

While I could go on and on about all the songs on this disc—her adaptation of the Billie Holliday classic “Strange Fruit” is brilliant and “The Ballad of Rush Limbaugh” will surprise you—I want to make special mention of “Black Boys”. “Black boys in tight blue jeans/Is that a gun in your pocket or are you just glad to see me?/Black boys in tight blue jeans/Are you America’s nightmare or America’s dream”.

Not only does the song challenge the stereotypes that some white people have about African American men, especially young men, it also challenges the young men in question. She says as an African American woman, I love you, but I worry about and am afraid for you. She questions the gangsta-rap identity, the macho bullshit and the emphasis on material goods that accompanies it. “Don’t be blinded by the bling” she admonishes at one point.

This song typifies Hendryx’s approach to her material on the whole disc. She’s not afraid to ask the questions most of us think but never speak out loud. She’s looking around at the world we all live in and doesn’t just shake her head, but finds a way to articulate in song many of the things troubling all of us. Even better is how she doesn’t sacrifice the quality of the music for the sake of the message.

Each song is as carefully crafted musically as it is lyrically, with the sound ranging from old school R&B, Chicago soul and hardcore funk, to songs which fuse all those elements together with jazz and rock. It is an album of great music and great lyrics where neither outweighs the other, and they compliment each other perfectly.

Hendryx is a veteran of the music wars. The lessons she has learned about music and presentation from her days with Labelle and performances with groups like The Talking Heads are all put to good use on this disc. On top of that, each song is timely and topical, articulating the issues facing Americans on a daily basis in such a manner that you can’t help but truly listen to her.

Not only is this a great disc musically, but any politician wanting to know what really matters to Americans these days would be well advised to give it a listen. Finding answers to the questions Hendryx raises will go a long way to ensuring yourself of victory in November.

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About Richard Marcus

Richard Marcus is the author of two books commissioned by Ulysses Press, "What Will Happen In Eragon IV?" (2009) and "The Unofficial Heroes Of Olympus Companion". Aside from Blogcritics his work has appeared around the world in publications like the German edition of Rolling Stone Magazine and the multilingual web site Qantara.de. He has been writing for Blogcritics.org since 2005 and has published around 1900 articles at the site.