Tuesday , March 19 2024
Following in the footsteps of an icon like Wes Montgomery, is a daunting prospect; Charlie Ballantine has bravely taken the first of those footsteps.

Music Review: Charlie Ballantine – ‘Providence’

Providence, the sophomore album from Indianapolis-based guitarist Charlie Ballantine due for release on May 6, is another clear indication that fine jazz isn’t limited only to the usual places. Ballantine, named Indianapolis’ “Best Jazz Musician” of 2015 by NUVO Magazine, has put together a powerful set of music emphasizing the diversity of his artistic palate, but focused on this overriding belief in the spiritual nature of art.charlie Ballantine

On his Facebook page, Ballantine lists a quotation from the great Bill Evans as his favorite quote which could well stand as a motto for this new album: “My creed for art in general is that it should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise, a part of yourself you never knew existed.” I mean he does call the album Providence for a reason. In a sense the nine-track set is an illustration of the guitarist’s faith in the Evans creed.

Ballantine is working with a quartet featuring saxophonist Amanda Gardier, organist Josh Espinoza, bassist Conner Green and drummer Josh Roberts.

Six of the album tracks are original compositions. There are blues-based pieces like his rocking “Roads” and “Conundrum.” There is a more overtly spiritual piece like the gospel flavored “Hopeful Mind.”  There is some old style funk on the opening number, “Old Hammer.” “Eyes Closed” is a haunting, moody melody, while the title tune offers a brighter horizon.

The covers are a short version, a kind of folksy interlude perhaps, of Stephen Foster’s “Gentle Lena Clare,” a dark vision of Tom Waits’ “Temptation,” and an elegant version of the Leonard Cohen classic, “Hallelujah.” This last features some fine alto sax work from Gardier, who also adds some mean soprano sax to “Hopeful Mind.” There is a version of “Hallelujah” available on YouTube.

Indianapolis, of course is no stranger to great guitarists. Following in the footsteps of an icon like Wes Montgomery, is a daunting prospect. Charlie Ballantine has bravely taken the first of those footsteps. One can only wish him well.

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