It always amazes me that when I hear these so-called “retro” events featuring music from the 1980s how I never recognize any of the music. So it’s been something of a relief this past summer to find Shout Factory offering a retrospective of the career of the band who easily provided the best and most intelligent dance music for the first three years of the 1980s, The Beat, or as they were known in North America, The English Beat. First, there were two greatest hits collections: a five-disc box set The Complete Beat and a single disc Keep The Beat: The Very Best of The English Beat. Now, last but not least, comes the CD/DVD combination package The English Beat Live! at the US Festival. Both the CD and the DVD feature the band’s performances from the 1982 and 1983 festivals.
While the CD is comprised of the highlights of each year’s show, the DVD, able to hold more material, has both concerts in their entirety. The US festival was a seven-day extravaganza of popular music with each day featuring a different category of music. Which was probably a wise decision on the part of the promoters as those who would want to watch bands like The Clash, The English Beat and others scheduled to play on “New Wave” day probably wouldn’t mix well with the crowd coming to see Van Halen and their ilk.
This was the early days of music video television and before home televisions could deliver the high quality of sound and visuals to make watching an event like this worth while. Now, 30 years after the 1982 concert, its available complete with 5.1 Dolby Digital surround sound and compatible with your wide screen television. So not only does the sound quality do the band justice, the visuals are crisp and clean which is a nice change from some DVDs made of tapes from that era. In fact, the sound is crystal clear and far better than many recent concert recordings I’ve heard. For example, how often do you actually hear the secondary percussion instrument being played by a vocalist during a concert? On this release, you can hear every tap and beat vocalist Ranking Roger plays to accompany his singing and mad dancing.
The US Festival took place in a large open area in Glen Helen Regional Park in San Bernardino, California. In both years the stage was enormous and the band seemed dwarfed by their surroundings. In both concerts, but especially in 1982, they looked and acted like they were expending a lot of energy, but somehow or other you don’t feel it. Maybe it was because they were so isolated from the audience; the bands were on this huge stage and separated from the audience by a fenced off area for press photographers. Or maybe it was because it was open air and the energy they produced just sort of dissipated into the wide open spaces around them.
Of course, no tape will ever be able to convey the experience of dancing yourself silly alongside a thousand other bodies at a show. What it should do, and what this DVD does, is capture moments which give you glimpses into the experience. One such moment is when the entire band is in motion and dancing wildly around the stage while playing their instruments, with only lead vocalist and guitarist Dave Wakeling preventing them going into orbit by staying anchored at his post in order to sing. Or watching vocalist Rankin’ Roger break into his biggest smile while desperately trying to bridge the gap with the audience by climbing on top of the monitors at the edge of the stage and dancing his heart out.
As far as the set list for both concerts go, each year’s set contained an even mix of the band’s material from all three of their studio albums. While songs like “Two Swords”, “Save It For Later”, “Twist and Crawl” and “Get A Job/Stand Down Margaret” show up both years, there are enough differences between the two to make watching each concert worthwhile. The 1982 concert features “Hands Off, She’s Mine” and one of their lessor known tunes, “Sugar & Stress”. The 1983 concert has a couple of my favourite English Beat tunes, “Ranking Full Stop” and their great cover of the old Miracles hit “Tears of a Clown”.
Even more fun for old fans will be the sight of their original saxophone player, Saxa, joining them on stage halfway through the 1983 concert. While his playing wasn’t as sophisticated as the man who replaced him, there was an emotional depth to his playing which made him a lot of fun to listen to. In fact, once he joined the band on stage, they reminded me more of the group I had seen live than at any other time on the DVD. Of course that could just be because of associating Saxa with seeing them perform, but they did seem to have a lot more fun once he started playing.
One thing you can’t fail to notice is no matter how much fun they are having, and no matter how crazy they get, this band was incredibly tight. It’s hard to believe this was a live concert they were so in sync with each other. Not a cue was missed and there didn’t appear to be a note dropped or any of the other glitches you would normally see in a live concert. Technically there were also very few problems, including no equipment failures. Of course, this could be because all the technology was supplied by Apple computers and they were using top of the line everything. Still, technology is only as good as the people operating it, and the people crewing this event must have been at the top of their game for everything to have gone so smoothly.
The English Beat only produced three albums, but from 1978 until their breakup in 1983, their infectious mix of reggae, ska, Motown, pop and punk kept people dancing. England during this time was a powder keg of racial tension and unrest. It was said the only sure fire way to ensure a gathering wouldn’t descend into violence of some sort or another was to have the English Beat play – as everybody would be too busy dancing and having fun to think about anything else. They just didn’t play mindless dance tunes either, they sang about social justice and racial equality with a heavy emphasis on tolerance and joy. The English Beat Live! at the US Festival is a lovely reminder of their politics of joy and what it was like to see them in concert. I can only wish more bands would learn from their example.
Photo Credit: Band photo by Michael GreccoPowered by Sidelines