Today on Blogcritics
Home » Film » Movie Review: Terminator Salvation

Movie Review: Terminator Salvation

Please Share...Tweet about this on Twitter0Share on Facebook0Share on Google+0Share on LinkedIn0Pin on Pinterest0Share on TumblrShare on StumbleUpon0Share on Reddit0Email this to someone

To preface this article, I must mention the conditions I saw the movie in first, which may have affected my experience. I don’t know if it was just the 12:03 am screening late Wednesday at the Edwards Irvine Spectrum 21, but damn, the audio played distractingly and painfully loud. I was not the only person covering my ears during many of the action sequences. Earplugs are likely going to be an accessory for future screenings.

A prologue set in 2003 introduces death row prisoner Marcus Wright (Sam Worthington) as he grants his body be used for research. A brief rundown of the current situation in 2018 during the opening credits tells of Skynet having humanity on the brink of extinction, but a resistance is fighting back. One of its leaders is a familiar character to those following the Terminator franchise, grown-up John Connor (Christian Bale) who resides in war-ravaged Southern California.

After a botched operation that John alone escapes from, Marcus awakes and tries to make his way in the world. In Los Angeles, he stumbles across a young Kyle Reese (Anton Yelchin), who in 2029 John will send to the past to save his mother from a Terminator-800 as chronicled in The Terminator. Kyle wants to find members of the resistance and join them while Marcus is determined to head to San Francisco. After an attack by a multitude of Terminators of different shapes and size, their plans gets crisscrossed and Kyle is taken prisoner with a bunch of humans to the Skynet facility in Frisco, while Marcus ends up meeting the resistance.

Marcus informs John about Kyle’s predicament. John doesn’t trust Marcus, but if Marcus were telling the truth, the ramifications would literally be life-altering for John and everyone still alive. What complicates the matter even further is a plan by the resistance leaders to bomb the Frisco facility, regardless of the human life it will cost.

With Salvation director McG delivers an over-the-top, frenetic, action-packed movie. Most of the effects looked great, particularly stunning were the humanoid terminator models. John wrestling with a damaged terminator in the opening sequence and another one during the climatic scene will likely lead to the late Stan Winston honored at the Academy Awards next year.

However, those looking for more substance will be disappointed. The conflict loses its suspense because the franchise’s storyline has already guaranteed the survival of some characters as mentioned above.

Another issue is the movie suffers from a number of distractions that take the viewer out of the moment. First, there are too many references to other movies. Homages to earlier Terminator movies work for the most part, but Salvation is unfortunately almost Tarantino-esque in its references, signaling a lack of imagination by the creative team. Some of the terminator models look and act like Transformers; there is a fiery explosion similar to Apocalypse Now; and not only does some of the driving look straight out of The Road Warrior, but there's also a mute kid running around.  Another distraction is the poor CGI of Arnold Schwarzenegger's face. A brief cameo would have worked well and it makes sense storywise, but the longer the image appears the more obvious how phony it is. It was also curious that John didn’t seem to recognize the T-800 when they had in essence previously met in Terminator 2. Because of the tabloids, I found myself wondering what emotional scene Bale had his infamous, and rightful, blow up at director of photography Shane Hurlbut.

My last complaint, although this is more for the industry as a whole as of late, is the steadicam work. The camera needlessly floats around too much, adding nothing with the disorientating images it records. Why won’t anyone pay for a tripod on these multi-million dollar movies?

Salvation seems to be a good enough continuation of the franchise to see on the big screen, especially if like SCTV film reviewers Big Jim McBob and Billy Sol Hurok, you like to see stuff “blow'd up real good!” It moves the story along rather than repeating itself like Terminator 3: Rise of the Machines did. Sequels are already planned to create a trilogy in this futuristic setting.

Powered by

About Gordon S. Miller

Gordon S. Miller is the artist formerly known as El Bicho, the nom de plume he used when he first began reviewing movies online for The Masked Movie Snobs in 2003. Before the year was out, he became that site's publisher. Over the years, he has also contributed to a number of other sites as a writer and editor, such as FilmRadar, Film School Rejects, High Def Digest, and Blogcritics. He is the Publisher of Cinema Sentries. Some of his random thoughts can be found at twitter.com/ElBicho_CS
  • http://pwinn.tumblr.com/ Phillip Winn

    Sounds like you’re only slightly more positive than a lot of the reviews I’ve seen. I think I’ll wait to rent, if that.

  • Brad Laidman

    Wow, nice job knowing the names of the two SCTV blowed up guys

  • http://www.maskedmoviesnobs.com El Bicho

    Phillip, if you have no interest in seeing it on the big screen, I don’t know if it’s worth watching at home.

    Brad, your kudos should go to wikipedia and Dave Thomas’ SCTV book

  • http://biggesttent.blogspot.com/ Silas Kain

    Interesting review, El. Having seen the movie twice in the last four days (the second viewing held completely under protest), I am convinced of two things:

    1. Christian Bale is a monochromatic actor with no range of talent and should be relegated to daytime soap opera or doing commercials for Sham Wow.

    2. The character of Marcus Wright was underdeveloped but held my interest enough to want to know more about his past and why Cyberdyne selected him for their secret project.

    Aside from those two points, Terminator Salvation may have been my salvation — from seeing another feature from the franchise.