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Blu-ray Review: Stars and Stripes Forever (1952)

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During the ‘50s, Hollywood filmmakers assembled and subsequently paraded a special bandwagon all over the country that specifically catered to composers. There were several jazz greats from the earlier part of the century that all received their own biographical movies — such as Glenn Miller, Benny Goodman, and Gene Krupa. There were also more “mainstream” music writers landing a spot in the Tinseltown limelight, such as Deep in My Heart — a biopic about Sigmund Romberg with José Ferrer — and an ode to some march-happy feller named John Phillip Souza, Stars and Stripes Forever, starring the original Mr. Belvedere himself, Clifton Webb.

John Phillip Souza’s Stars and Stripes Forever (as the actual onscreen title reads) is a film based loosely off of Señor Souza’s memoirs, Marching Along, and tells of the famous King of the Marches rise to progressive popularity. Starting out as a US Marine Corps bandleader with a wife and three children in the 1890s, Souza (Webb) changes his routine when he makes the acquaintance of a young wily lad bearing the outrageous name Willie Little (young Robert Wagner). Leaving the military to pursue an active career in baton waving, Souza (along with Little and band) embark on a worldwide tour, showcasing his talents near and far, before eventually joining the war effort in the Spanish-American War later that decade by composing his famous patriotic anthem, “The Stars and Stripes Forever.”

No, it didn’t happen that way. While the film is supposed to be a biography about Souza, the writers behind this moving picture took a great deal of liberties in telling their partially-historical performance. There are far too many portions of the film devoted to a romantic subplot between the entirely fictional characters of Robert Wagner and co-star Debra Paget. The reason for this is more than likely the fault of studio executives more than anything: they probably didn’t see audiences enjoying a movie — especially one with a middle-aged married father of three as the protagonist — without its fair share of young love.

When the war breaks out, Little enlists, only to be crippled by friendly fire, and Souza and his wife Jennie (Ruth Hussey) are there to comfort her. Afterward, the one-legged veteran returns, only to find a seat waiting for him in the orchestra. It’s simply one of those Hollywood things, kids: a good deal of archetypal drama fused with moments of lighthearted humor. And, as you can probably guess, Stars and Stripes Forever is littered with marches galore (as arranged and performed by Alfred Newman) — something that almost drove me bonkers, to be honest. Now, for those of you who enjoy more traditional musical moments, there are plenty of stage numbers performed by Paget and company to amuse you with. There’s even sporadic narration by Casey Adams (Max Showalter).

Frankly, the best part of this classic is Clifton Webb himself. He seems to be the most believable character in the whole production, imbibing the very essence of John Phillip Souza (or at least how we envision him). The ladies of Stars and Stripes Forever, Paget and Hussey, are too glossy to take seriously, while the still-new Wagner carries a grin on his face the whole time — something that most men who have recently lost a limb would find hard to do. But then, why should imaginary people have to suffer, right? Heck, even the very real Souza doesn’t experience anything more traumatic than a sneeze throughout the film.

I guess what I’m trying to say here is: if you’re looking for realism, this isn’t the film to choose. If you want something lighthearted that’s full of vibrant colors and marches, however, Stars and Stripes Forever is a charming enough flick. And those vibrant colors look absolutely gorgeous in this Blu-ray/DVD Combo release, which presents the title in its original 1.37:1 aspect ratio, and boasts some fantastic detail and contrast overall. The Blu-ray prominently features a strong English Mono DTS-HD Master Audio lossless soundtrack, as well as a Spanish Mono option. Subtitles are available in English (SDH), Spanish, and French.

Special features for Stars and Stripes Forever include a new featurette entitled “From Our National March to the Silver Screen,” which features a number of factoids about the history of the film (and its studio) by historians like Miles Kruger, Keith Brion, Marc Wanamaker, and Larry Billman. Most of those men return in another featurette, “John Phillip Souza’s Contribution to American Music,” this time joined by Dr. Arthur C. Bartner. There’s also a UK Alternate Main Title Sequence (which is in black and white for some reason), presenting the movie under the name Marching Along; two trailers (US and UK), and three galleries.

In short: I’m glad to see some of these lesser-known catalogue classics getting the full HD treatment, even if the movie isn’t as grand as you might think it would be.

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About Luigi Bastardo

Luigi Bastardo is the disgruntled alter-ego of a thirtysomething lad from Northern California who has watched so many weird movies since the tender age of 3 that a conventional life is out of the question. He currently lives in Chico, CA with four cats named Groucho, Harpo, Chico, and Margaret. Seriously.
  • Lewis Forro

    You don’t sound like your thirtysomething. I thought you were about 12 years old with your silly superficial comments. If movies with patriotic marching songs drive you “bonkers,” why do you watch them. Did you think this movie was a Beatles documentary?

    Lewis Forro
    Virginia Beach, VA

  • http://insomniacentertainment.com Luigi Bastardo

    Thank you for your comment, Lewis. I watch movies because, well, I enjoy movies! I enjoy writing about them, too, whether they appeal to me or not. Surprisingly enough, that falls under the job description of a “critic.” I knew full well what the movie was about, and I was under no sort of delusion that caused me to mistake this for something Beatles-related (whom I have never been a fan of anyway). Since you brought that up, however, I DO have to ask: was there a recent surge of interest in The Beatles amongst preteens to warrant your comparison between my “adolescent” comments and — oh, wait, that was SARCASM you were attempting to deploy there, wasn’t it?