Sophisticated, tuneful, soul-inflected pop is Eoin Harrington's specialty, and his new disc is loaded with it.
Read More »Jon Sobel
Weiner’s Mea Culpa Signals New Era of Virtual Misbehaving
I predict Congressman Weiner's virtual-cheating scandal represents not a weird anomaly but a leading edge.
Read More »Theater Review (NYC): ‘The Short Fall’ by David Caudle
Old-fashioned schemes and modern-day reality TV clash in a new comedy.
Read More »Counting Airplanes
Today flying involves not only danger and discomfort, but guilt. Will we ever get back to the garden?
Read More »Theater Review (NYC): ‘Standards of Decency 3: 300 Vaginas Before Breakfast’
What does a computer "think" when it's being used to view internet porn? This and other vital questions are answered in this diverting evening of short plays.
Read More »Theater Review (NYC): ‘The Best Is Yet to Come: The Music of Cy Coleman’
The composer of Barnum, Sweet Charity, City of Angels and other classic shows was at the peak of his powers to the end of his days.
Read More »Facebook is King at BlogWorld & New Media Expo New York
Since blog content always has to be fresh and relevant, companies are succeeding by getting their customers to supply much of this content.
Read More »Theater Review (NYC): ‘I Plead Guilty’ by Natalia Pelevine
A psychological drama explores the tragic Moscow theater siege of 2002.
Read More »Theater Review (NYC): ‘Ivan and the Dogs’ by Hattie Naylor
Kevin Melendez triumphs in this powerful, evocative drama spun from sheer language, a little furniture, and one warm body.
Read More »Theater Review (NYC): ‘King Lear’ with Derek Jacobi
Directed by Michael Grandage, this lean and muscular staging sucks Shakespeare's most titanic tragedy down to its essence.
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