This delightful and original "Best of Edinburgh" anti-gravity show is well worth seeing, even if it overstays its welcome a bit.
Read More »Jon Sobel
Vice Capades: NYC to Gamble on Temperance
Less drinking, more gambling? There's no angle from which this makes sense.
Read More »Theater Review (NYC): ‘Samuel & Alasdair: A Personal History of the Robot War’ by The Mad Ones
Beset by static, power outages, and flaky equipment, a Soviet radio show rattles on as the world outside falls apart.
Read More »Music Review: Emily Hurd – ‘Long Lost Ghosts’
Each song is a shiny chip off a mysterious compound of intelligent thought and honest feeling.
Read More »New Year’s Eve and the Perpetual Triumph of Magical Thinking
Let's welcome 2012 – a year in which we hope the world will become a slightly better place, and also, for better and for worse, another year of magical thinking
Read More »More Stuff I Don’t Know
It's no wonder I often find myself retreating to murder mysteries and Mozart.
Read More »Theater Review (NYC): ‘Krapp’s Last Tape’ by Samuel Beckett, with John Hurt
Even after more than half a century, Samuel Beckett's extraordinary theatrical innovations retain the power to startle.
Read More »Theater Review (NYC): ‘Neighbourhood Watch’ by Alan Ayckbourn
In Ayckbourn's 75th play, mild-mannered Martin marshals his neighbors into an increasingly strident and fascistic neighborhood watchdog group.
Read More »Theater Review (NYC): ‘The Cherry Orchard’ at Classic Stage with Dianne Wiest and John Turturro
Occupy Wall Street protesters evicted from their permanent settlements could do a lot worse than visiting (or re-visiting) Anton Chekhov's class-conscious classic.
Read More »Theater Review (NYC): ‘Derby Day’ by Samuel Brett Williams
This searing new comedy-drama gallops across the stage in a world premiere from the Camisade Theatre Company.
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