String quartets come in many shapes and sizes but you can normally predict what they’re going to perform. Beethoven, Mozart, perhaps even some Bach, or other composer from the recognized classical canon. While there have been exceptions to this rule in the past, the most obvious being the Kronos Quartet doing their rendition of Jimi Hendrix’s “Purple Haze”, even they have worked from carefully scored and arranged material. The idea of a string quartet coming together to create their own works is almost unheard of; for those creations to be the result of improvisation unthinkable. The idea is so improbable that it would require those involved to be uniquely talented and blessed with the immense good fortune of having hundreds of seemingly disparate ideas come together in the face of almost impossible odds.
Those of you who have listened to the CD The Goat Rodeo Sessions featuring Yo-Yo Ma on cello, Stuart Duncan on violin/banjo/mandolin, Edgar Meyer on bass and piano and Chris Thile on mandolin, guitar and violin will have already experienced the stars lining up in just the right manner to allow the improbable to occur. However it’s one thing to do this in the safety of the recording studio where mistakes can be corrected though over dubs and the opportunity to do second and third takes, but it’s another altogether performing the same music live. So pushing the envelope a little further they are taking their show live and thanks to the great folk at Public Broadcasting System (PBS) you’ll be able to see them on Friday May 25 at 9:00pm (check local listings) in an hour long special The Goat Rodeo Sessions Live.
I don’t think it will be spoiling anything for anyone by telling you watching them perform the music they created in the studio live makes you even more aware of their incredible accomplishment. Listening to the CD was awesome enough, but it’s only seeing them perform most of these same pieces on stage that the enormity of their achievement is brought home. For now you see first hand not only the complexity of each person’s part, but how incredibly difficult it must have been both creating and bringing them together to a make single entity. With Thile serving as de facto band leader/concert master/host the four opened the show with the piece I think epitomizes their efforts “Attaboy”.
This piece reflects the musical background of each performer and simultaneously shows the listeners both the difficulties they faced creating the music on the disc and the means they used to overcome those difficulties. Listening to it on CD one could hear how their diverse approaches to music blended to form something which was literally greater than the sum of its parts. However, watching them perform you are able to witness how they managed to accomplish this. The first thing you notice is the high level of communication going on silently in front of you. From the moment Thile counts them in to start the piece and sets the tempo on his mandolin there’s never a moment when they aren’t either listening or looking at each other for cues and, perhaps, encouragement. A nod here, eye contact there, and the tempo changes or somebody starts a solo or a solo ends and the rest join in. It’s as fascinating an example of watching co-operative music in the making as you’ll ever see.
As on the recording the four musicians are joined on stage occasionally by vocalist Aoife O’Donovan. She and Thile serve up beautiful vocal harmonies with lyrics specifically created for the recording sessions. On stage, as on CD, their voices add another layer of texture to the sound being created by the four instruments. In some ways they are like a calm in the middle of a storm as they seem to allow everyone from the audience to the performers a pause in which to breath between the thunder and lighting of the instrumental pieces. For there is an intensity to what the quartet are creating and performing on stage that listening uninterrupted might have been too overwhelming. Those couple of moments of calming influence allow us to appreciate the instrumental sections all the more.
Aside from the excitement of being able to see these four men in action, there are two other great reasons for watching them on television this week. First is seeing them react to playing in front of an audience. There’s always an exchange of energy between performer and audience in a live situation that changes the dynamic of the music is some manner or other. When the audience began to clap the tempo – and when was the last time you saw that happen during a concert by a string quartet? – you could see the band react in delighted surprise. I don’t think they had expected or anticipated audience participation and it appeared to push them to even greater levels of exertion, if possible. Each piece from then on seemed to soar a little higher and strive to reach a little further.
The second, and just as important reason for watching, is to see the expressions on their faces while they are performing. Normally watching a string quartet in action is an exercise is studied formality. Everyone seems to be playing as if there lives depended on them looking intensely serious. Brows are furrowed and faces locked in intense stares of concentration. Well I don’t think I saw one furrowed brow, let alone a serious face, on stage during the entire hour of this quartet’s performance. From Thile’s almost impish grin as he bends over his mandolin (Is it just me or does he reming anyone else of a young Jude Law?), the sly smiles on Duncan and Meyer’s faces to Ma’s spontaneous grins of delight as he listens and plays, there’s not a straight face among them. These guys are so absolutely delighted to be where they are at that specific moment in time you can’t help but feel privileged to be part of this performance even as an audience member.
Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile created something special when they recorded the Goat Rodeo Sessions. Now they are bringing that something special to life on PBS stations around America on Friday May 25, 2012 at 9:00 pm. If you aren’t able to see it that night, or your local PBS station ends up not carrying it, don’t despair, its being released on DVD as of May 29, 2012. Whichever way you end up watching, believe me, this is an experience no music lover will want to miss.