Tuesday , April 23 2024
Clay McLeod Chapman's story-monologues dig for the gory innards of the human soul.

Theater Review (NYC): The Pumpkin Pie Show

I wanted to see The Pumpkin Pie Show because it's the long-running product of the fevered brain of Clay McLeod Chapman, who wrote the script of the remarkable musical Hostage Song. While the two shows couldn't be much more different in mood and presentation, both dig for the gory innards of the human soul.

Hostage Song was a drama with rock music about two Western hostages in Iraq crawling towards a twisted kind of redemption, blindfolded the entire time. Pumpkin Pie is a series of stories written by Chapman and performed by Hanna Cheek (who was so good in Hostage Song) and Chapman himself. Stories are what they are called, and although they are for the most part monologues, stories is perhaps the best word. Each of the tales marries the narrative movement of a short story with the distinct first-person voice of a dramatic monologue.

At each show the two actors perform a different half dozen or so out of a total of fourteen stories they've honed over the past ten years. At the outset, actors and audience don't know which we're going to get, so each show is different. But the tales (at least the six I saw) have in common a strong element of the macabre, and usually a good dose of humor too.

The cast, Cheek especially, are good at transforming themselves into a variety of twisted characters – an overly attached mom, a drunk bridesmaid, a creepy guy who lives under a pier – and the unrelatedness of the tales gives the evening something of the air of an exercise session. But the tales cast their spells effectively, plunging the audience into Chapman's often disturbing, sometimes sickening, and occasionally touching theme park of weirdness. We overuse the roller coaster analogy – for adventure movies and the like – but The Pumpkin Pie Show really is like a thrill ride, full of creepy delights, alternately tickling your brain and turning your stomach. You must be this tall to enter.


Thursdays through Saturdays through Nov. 1 at Under St. Marks, 94 St. Marks Place, NYC, with a special expanded performance on Halloween night. Get tickets online or call 212-868-4444.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at http://www.orenhope.com/ you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at http://parkodyssey.blogspot.com/ where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

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