Tuesday , May 28 2024
Metra featuring Rebecca Ana Peña, Corinna Schulenburg, Cherrye J. Davis, and Richard B. Watson Photo credit Isaiah Tanenbaum
Rebecca Ana Peña, Corinna Schulenburg, and Cherrye J. Davis (Photo credit: Isaiah Tanenbaum)

Theater Review (NYC): ‘Metra: A Climate Revolution Play with Songs’ from Flux Theatre

Theater is reckoning with climate change, holding its mirror up to nature – and Nåature – and choking back despair at what it sees. Flux Theatre Ensemble draws on a wild amalgam of Greek myth, glam rock, time travel, comedy, and dystopian projection to envision both that despair and an inkling of hope, with Metra, a brash, impactful fantasia by Emily and Ned Hartford.

Through backstory we learn that Cori (Cherrye J. Davis), a pioneering Black hedge fund manager, had a revelation as a limo smoothed her past protestors at the 2015 Davos Economic Forum. With eyes now opened to the rapaciousness of the ultra-rich titans and corporate interests driving the planet to ruin by burning fossil fuels non-stop, she is whisked three decades into the future. The magic is courtesy of Aglophonos (Rebecca Ana Peña), a tree nymph/siren who informs the startled human that she is the latest incarnation of Metra, a figure purportedly from Ovid’s Metamorphoses.

As such Corey has a destiny to fulfill in the nightmarish 2040s. The rich and connected, still pumping fossil fuels, have retreated into comfortable “Bubbles” insulated from the raging heat and wildfires, hordes of climate refugees, and overall societal collapse outside. Cori joins forces with Sam (Corinna Schulenburg), once a journalist in the days when there was such a profession and now a kind of wise tramp, and with some help from chilly Aglophonos they plot to burst the local Bubble and bring closure to the Metra myth – and hope to the world.

Snaring prominent philanthropist Tyler Herzog (Richard B. Watson) from the Bubble, Corey browbeats him while Aglophonos conjures him into the figure of Metra’s father, a heartless ancient king who after cutting down a sacred grove was cursed to feel constantly hungry.

Rebecca Ana Peña and Richard B. Watson (Photo credit: Isaiah Tanenbaum)

Songs help propel the play, sung with conviction mostly by a strong-voiced (though not always in tune) Aglophonos. The snarl of the music with its clever lyrics, the audaciousness of the story, the wonderfully ragged set and over-the-top staging, and above all the marvelous performances infuse a prosy, allegorical script with color and energy.

Davis brings grit and assurance to her portrayal of Cori. But though Cori is central plotwise, it’s Schulenburg’s Sam above all who makes the first act compelling. One of the most plastic (in the old sense) actors around (and also a fine playwright) she makes Sam a multidimensional and irresistible combination of caregiver, conscience, and cartoon. Watson lights an inferno from the acts of involuntary shapeshifting Tyler must undergo. Peña reveals exceptional depth playing what must surely be a difficult role: a magical being wrestling with very human inner torment. For most of the action she can express her feelings only through erupting into song – a riotous number called “Bechtel Man” stands out – but supernatural or not, ultimately she can dissolve into tears like us poor, savage mortals.

Metra touches on many aspects of the climate crisis. It is, after all, a crisis brought about not by a small set of dastardly oligarchs – or not by such figures alone – but by fundamental aspects of human nature itself. What better media to explore this than theater and music? Metra runs through Nov. 12 at the Abrons Art Center in lower Manhattan. Visit the Flux Theatre website for information and tickets.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at http://www.orenhope.com/ you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at http://parkodyssey.blogspot.com/ where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

Check Also

Katherine Henly in The Extinctionist from Heartbeat Opera

Opera Review: ‘The Extinctionist’ from Heartbeat Opera – Amanda Quaid, Dan Schlosberg Explore the Parenthood/Climate Change Dilemma

A woman changes her mind about wanting to have a baby, but are climate change worries the true cause? An intense new one-act opera dives into the maelstrom.