Thursday , November 30 2023
Breaking up is hard to do – in more ways than one.

Theater Review (NYC Fringe): ‘Over’ by Dave Chapman

Becky Byers ('Tabitha') and Adam Belvo ('Jack') rehearsing for NYC Fringe production of 'Over' by Dave Chapman
Becky Byers (‘Tabitha’) and Adam Belvo (‘Jack’) rehearsing for NYC Fringe production of ‘Over’ by Dave Chapman

A relationship enduring a painful end launches Dave Chapman’s Over. But the breakup of 20-somethings Jack (Adam Belvo) and Nicole (Alisha Spielmann) soon enough settles into the background as a much more unexpected storyline overlays it, unfolding at a slow but sustained pace that makes this four-character two-hour-20-minute play seem to go by quickly.

Directed by Bryan Enk for KRM Productions as part of the New York International Fringe Festival, Over begins fitfully in Nicole’s apartment, where, shortly before the action begins, Jack has announced to Nicole that he is leaving her. Shriveled inertly on her couch, she’s had time to use up a whole box of tissues but not to stop sobbing. Jack tries to be sensitive but everything he says just makes it worse.

This opening sequence establishes Chapman’s skill at reality-based dialogue. It’s undermined, though, by the characters calling each other by their names far too often, which detracts from the naturalism the actors work hard to sustain.

After Nicole’s teenage sister Tabitha (Becky Byers) arrives unexpectedly and the story veers toward the eerie and perplexing, the dialogue gets tauter, the rhythm deepens, and the stellar performances of Spielmann and Byers as the sisters come to the forefront and carry the drama to its Twilight Zone-esque conclusion.

Belvo tries without success to make Jack likable, but conveys well the frustration of one who is leaving, and hurting someone badly, but feeling guilty about it. Neighbor Spence’s (Brian Silliman) humor and humility provide important focal points as well as effective comic relief.

But the play really belongs to its women, and the production to Spielmann and Byers, who appeared together recently in Flux Theatre Ensemble’s ambitious and scrappy Jane the Plain.

With crisis piling on crisis, Nicole ends up showing that beneath all her weepiness lies a fundamental human durability. Her speech about what made her fall for Jack in the first place is so convincing it set aside my negative impressions of his character. And the ultimate hash-out of what went wrong with their relationship makes up for the script flaws I observed in the opening scene.

With her usual sharp charm Byers delivers Tabitha’s intermittent comic business, as when she gets possessive over a granola snack Terence has kindly offered her. Later, Tabitha’s revelation of the motivation behind her self-destructive behavior is a gem of a sequence.

And finally, the playwright doesn’t take an easy way out of the twisted situation he creates (which I won’t give away).

Despite some flaws, Over is a serious, mature work that deserves attention. Because it’s relatively long and relatively “normal” it hasn’t got the buzz of some of the hipper productions at this year’s NYC Fringe, but it deserves some love. Two performances remain. Visit for details and tickets.

About the Author

[amazon template=iframe image&asin=B000H5U5EE]

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

Check Also

Theater Review (NYC): A New Twist on Zombie Apocalypse in ‘Rizing’ by Jason Tseng

Flux Theatre Ensemble executes Tseng's brash post-zombie-apocalypse premise with equal parts psychological grace and horror-story panache.