Sunday , June 24 2018
Home / Theater Review: A Reading Of Masterpiece
Erudite and suspenseful, talky and moving, Masterpiece begs for a full production.

Theater Review: A Reading Of Masterpiece

Masterpiece, a previously "lost" work of the distinguished contemporary poet, playwright and critic MZ Ribalow, received a reading last night at the National Arts Club in New York City. Erudite and suspenseful, talky and moving, the play begs for a full production – with, one hopes, a cast as good as the foursome that read yesterday.

Based on the true story of Han van Meegeren, a Dutch painter who made a small fortune forging Vermeers in the 1930s and '40s, the plot is part The Sting – with a snooty art critic's reputation as the mark instead of a crime boss's money – part "The Gift of the Magi," minus the gloom – and part thriller. The cast brought Ribalow's dense and elevated language brightly to life.

Patricia Randell was silky and centered as the forger's love interest and the story's moral fulcrum; Dara Coleman, like a young Jeremy Irons, richly embodied the elegant despair of the overlooked Salieri-like near-genius; Tom Kleh's notes of childish vanity as the duped critic rang unfailingly true; and Victor Slezak, given the best lines and playing them up with exquisite, dry-as-dust timing, nearly stole the show as the police inspector hot on the trail of one of history's most successful, and seemingly most colorful, frauds.

The script deals easily with complex matters of philosophy and culture: what is authenticity? What is genius and what mere craft? What is the role of the critic? "I paint," van Meegeren declares, "because to not paint makes me miserable." There are no villains or heroes in Ribalow's telling. He stabs at the artist's as well as the critic's pretentions: "Actual prison," the acerbic detective tells the painter, "is not a metaphor to those in it." The script is loaded with such pithiness, yet its characters touch our hearts as powerfully as its language tickles the brain.

Seldom is a simple reading, with actors holding scripts and sitting in chairs, as engaging and entertaining. One wishes producer Pat Flicker Addiss (Chita Rivera: The Dancer's Life; Little Women; Shout!) the very best in her efforts to get this wonderful work staged.

About Jon Sobel

Jon Sobel is a Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Culture, where he reviews NYC theater; he also covers interesting music releases. Through Oren Hope Marketing and Copywriting at http://www.orenhope.com/ you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at http://parkodyssey.blogspot.com/ where he visits every park in New York City. And by night he's a part-time working musician: lead singer, songwriter, and bass player for Whisperado, a member of other bands as well, and a sideman.

Check Also

Spragga Benz (2018)

Music Review: Spragga Benz – ‘Spread Out’ ft. Hype and Fever

With 'Spread Out,' Spragga Benz imparts torrid Jamaican music rife with a pulsating rhythm, wicked sounding synths, and stellar vocal delivery.