Funny, moving, dramatic, and very hard to classify.
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Theater Review (NYC): The Little One by James Comtois
This original vampire tale only partly realizes its potential.
Read More »Theatre Review (London): Dig by J.D. Smith and No More, Salvator? by Michael Hart at the Old Red Lion
Two contrasting one-act plays deliver drama and comedy with varying degrees of success.
Read More »Theater Review (NYC): Modotti by Wendy Beckett
Tina Modotti's fascinating life deserves a much better telling than it gets in this very bad play.
Read More »Theatre Review (Buffalo, New York): I Am Hamlet at The Subversive Theatre Collective
Unconventional Hamlet is entertaining and weird.
Read More »Theater Review (NYC): Promises, Promises with Sean Hayes and Sarah Jane Everman
Will and Grace's Sean Hayes turns out to have boundless stage energy and a very nice singing voice to boot.
Read More »From the Green Room: On the Naming of the Greeks
Solution for befuddled actors in need of pronunciatiton help.
Read More »Theater Review (NYC): Song for a Future Generation
An exuberant cast and great dance numbers can't bring this futuristic comedy fully to life.
Read More »Cabaret Review (NYC): Alan Cumming at Feinstein’s at Loews Regency
The Cabaret and quite charming, engaging, and funny as just himself.
Read More »Theater Review (NYC): Macbeth – Something Nervous This Way Comes
A Macbeth that suffers from too much exposure.
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