This story of life and love on a fictional Greek island is simple and old-fashioned and gets pretty silly, but that's all part of its lighthearted spirit.
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Theater Review (NYC): The Great Unknown – Take Me To The River
In search of the bible of geology down the other big river.
Read More »Theater Review (NYC): The Pumpkin Pie Show: Amber Alert
The latest edition of Clay McLeod Chapman's pugilistic monologue series may be the best one yet.
Read More »Theater Review (NYC): Cymbeline
Cymbeline is one of those seldom-produced Shakespeare plays we English majors read in college but rarely get the opportunity to see.
Read More »Theater Review (NYC): Julius Caesar, under Threatening Clouds in Queens
"A very pleasing night to honest men and women."
Read More »Theater Review (NYC): Ritter, Dene, Voss by Thomas Bernhard
A brilliant, sick brother, two hung-up sisters, and enough linguistic flair and dramatic panache for two or three plays
Read More »Theater Review (NYC): Nance O’Neil
A few days in the life of Lizzie Borden, 12 years later.
Read More »Theater Review (NYC): Roadkill Confidential
Do a controversial artist's activities at her rural studio go beyond the merely disgusting to include something more sinister?
Read More »Theatre Review (London): Danton’s Death at the National Theatre
This cut-down version of the classic play presents the French Revolution as a romantic personal tragedy.
Read More »Theater Review (NYC): The Hyperbolist at Fringe
Joe Mazza's melange of puppetry, silent film, and vaudeville effectively fuses avant-garde philosophizing with the pulling of heartstrings.
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