Citing Heath Ledger's performance as the Joker in The Dark Knight as an example of an actor's extreme dedication, Aluma wondered: "How far is too far? Is it still acting or has it become this psychosis they are living truthfully in an adopted mind – turning on something that is no longer them and is in fact dangerous?"
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Theater Review (San Antonio): Tony Award-Winning ‘Memphis’ at the Woodlawn Theatre
A solid production and bright performances help to cover the clichés.
Read More »Theater Review (NYC): ‘Troll’ by Ken Greller
'Troll' plunges headlong into the hyper-modern. Are our online selves our true selves at all? If not, what are they? What do their actions say about us? The questions are vividly relevant.
Read More »Theater Review (San Antonio): ‘A Wolverine Walks Into a Bar’ by Jaston Williams
The 'Greater Tuna' vet premieres his new comedy in the town that helped give him his start.
Read More »Theater Review (Off-Broadway NYC): ‘Ideation’ by Aaron Loeb
You are commissioned to a project which by design is macabre, yet life-saving. Do you engage or abort?
Read More »Theater Review (NYC): Euripides’ ‘The Bacchae’ from the Faux-Real Theater Company
This production digs into the tribal roots of the ultimate cautionary tale from ancient Greece with just the collective animal energy called for.
Read More »Theater Review (NYC): ‘Yo Miss!’
Judith Sloan's compelling solo show at La MaMa, 'Yo Miss!', is grounded in her experience teaching drama to underprivileged New York City high school and college students.
Read More »Theater Review (NYC Off-Broadway): ‘Rimbaud in New York’
Brimming with a studied outrageousness, and brushed with sentiment, the show takes a sidelong look at the pretentiousness of downtown artsiness, while reminding us – or introducing us to – the French force of nature who provoked the spirits of so many 20th century creatives.
Read More »Theater Review (Off-Broadway NYC): Sam Shepard’s ‘Buried Child’ with Ed Harris and Amy Madigan
This is a magnificent production, prodigiously acted by the ensemble cast and brilliantly conceived, staged, and designed by Scott Elliott and his team. The production throbs with tension. The undercurrents vibrate throughout. Above all the character portrayals balance evenly to create a living portrait of the poignancy of human families.
Read More »Theater Review (Off-Broadway NYC): ‘Women Without Men’ by Hazel Ellis
Are women truly the fairer sex without men? Or do they fare better in the company of men?
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