The project devoted to diversity in early music presented not one, not two, but four countertenors of color in its second concert.
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Concert Review: Fretwork – ‘J.S. Bach – The Art of Fugue’ (NYC, 12 April 2018)
Bach's contrapuntal masterpiece took flight in the hands of one of the world's premiere viol consorts.
Read More »Music Review: Jordi Savall and Hespèrion XXI: ‘Musica Nova: Harmonie Des Nations 1500-1700’
The celebrated musician-scholar and eminence grise of the viol offers representative pieces of what can be broadly termed the "Musica Nova" movement of the 16th and 17th centuries in Italy, France, England, Germany, Spain, and Portugal. But you don't need experience with or knowledge of early music to appreciate the beauty, and the consummate expertise, of these performances.
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