Tuesday , May 21 2024
joe bonamassa redemption

Music Review: Joe Bonamassa – ‘Redemption’

joe bonamassaThe drum intro to “Evil Mama,” the first track on Redemption, the new album from Joe Bonamassa, recalls Led Zeppelin’s “Black Dog.” There’s also a taste of “Kashmir” during the guitar solo. “Evil Mama” turns out to be a blast of soul-rock driven by horns as much as by Bonamassa’s electric guitar, but its heavy-rock roots are powerfully evident as well.

That hard-hitting promise carries through these 12 tracks, all written by Bonamassa and a team of co-writers including Gary Nicholson and even, on the title track, Dion DiMucci. A big-name band of blues-rock blisterers including legendary drummer Anton Fig, Doug Lancio on second guitar, and bassist supreme Michael Rhodes cranks them out convincingly.

Fueled by riffs, shouts, and common lyrical tropes, the songs are rife with big-legged women, ships of fools, reaping what you sow, and Johnnie Walker Black. But who cares? The music’s chunky and full-tilt. The ghost of Zeppelin returns in the sinking-ship yarn “Molly O’,” with a wall-of-rock sound that characterizes much of the album. “Deep in the Blues Again” strikes with a roar out of the arena-rock 1970s. “Self-Inflicted Wounds” slow-churns with high drama through the murk of a mea culpa.

“Pick Up the Pieces,” one of my favorite tracks, wails barrelhouse-style, with harmony vocals recalling Joe Jackson’s “Jumpin’ Jive” revival. Another top track, the rocking folk ballad “The Ghost of Macon Jones,” about a mysterious suicide, is deepened by Jamey Johnson‘s low-lonesome vocals as its spectral introduction leads into a lively, minor-key, two-step blues.


Two co-writes with Gary Nicholson change things up again. Both shine the spotlight on Bonamassa’s vocals. The lyrical acoustic ballad “Stronger Now in Broken Places” showcases his sensitive side. “Love is a Gamble” asserts the fundamental prominence of pure Chicago blues in the crowded history of rock that he plumbs so well.

The album focuses more on song than on shredding, with Bonamassa’s six-string wizardry worked into the arrangements rather than blatantly front and center. Still, masterful solos like the ones in “Evil Mama,” “Love is a Gamble,” and “Just ‘Cos You Can Don’t Mean You Should” remind us (for those who haven’t been paying attention) that we’re in the hands of one of our era’s greatest blues-rock guitarists.

Redemption is available now.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at http://www.orenhope.com/ you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at http://parkodyssey.blogspot.com/ where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

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