Friday , April 12 2024
A contemporary album with an old school flavor, Roses & Clover is sweet and sharp like its namesake.

Music Review: Animal Liberation Orchestra – Roses & Clover

Written by Fumo Verde

Animal Liberation Orchestra’s Roses & Clover plays as sweet as the name proclaims with its gentle blend of rock, jazz, and rhythm and blues– prepare yourself for a journey. With melodies and harmonies reflective of the sounds of the ‘70s and lyrics that echo the feelings of today, ALO has captured the magic of Steely Dan and Boz Skaggs, bands with the musical talent to play and write. ALO crafts each song to perfection and Roses & Clover proves that right here.

I'm still debating which song is my favorite. Out of the ten tracks I have yet hit a song where I could say, "This wasn't needed here," or "How does this fit with the rest of the album?" I've had this CD for four days and haven't stopped playing it. As I write this, “Water Song” is playing. Reminiscent of James Taylor, there’s a feeling of being out on the open range with the crickets chirping, as the lone piano comes into play. "Canyons carved by oceans beneath a light of a billion stars./ The Old ones knew the truth about us,/ the purpose is to be just what we are." If you were ever looking for deep lyrics that really make sense, ALO is that band. This song rolls through your mind like a river, reflecting the pictures of your life in their words. If this tune doesn't get you back to thinking of things that you once held near and dear, then I don't know what will.

Each song has that similar sensation to it, giving the listener a chance to engage the images and emotions that flow through words. “Maria” is a love song and the lead track off the album. It opens with the piano pumping out that '70s feel-good sound, which made its way into almost every film soundtrack from that decade. This song gives me the idea of jumping in my truck and taking a ride on the 101 heading north towards Ventura, but then I remember that this is 2007 and I could play this disc five time over while sitting in stop-and-go traffic on the 10, but I would still be in the "get out of town" mode.

“Try” has more of the R&B root to it but with a funk twist. If the slapping of the bass doesn't get you, the organ’s wha wha pedal will. It even sounds like they had a little bit of a brass section drop in to play. With an old blues beat, “Roses & Clover” taps into the funky blues with a tiny drop of jazz. “Monday” has a jazz/rock essence to it with its easy drumbeat, soft guitar riffs, and backing vocal harmonies. It becomes that Monday morning commute song that wakes you up smoothly as you drink your coffee on the drive into work. “Shine” slows the album down, adding more of a jazz aspect while giving the song a European flair from what sounds like a harmonica. This song makes me imagine Paris in the rain with all the people biking around.

Although each song is different from the next, one gets the impression that ALO wants you to use your mind when listing to their music, which isn't a bad idea nowadays. If people weren't taking ALO seriously, the better start now. Roses & Clover may not get the airplay some of the other “music” out there is getting but it does deserve respect.

About Gordon S. Miller

Gordon S. Miller is the artist formerly known as El Bicho, the nom de plume he used when he first began reviewing movies online for The Masked Movie Snobs in 2003. Before the year was out, he became that site's publisher. Over the years, he has also contributed to a number of other sites as a writer and editor, such as FilmRadar, Film School Rejects, High Def Digest, and Blogcritics. He is the Founder and Publisher of Cinema Sentries. Some of his random thoughts can be found at

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