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Don Draper will indeed die in the series finale – and it will be of his own doing.

‘Mad Men’ – Don Draper’s “Death” Is Preordained

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There is always a good deal of talk as a dramatic series reaches its end about who is going to survive, especially the main protagonist. Think The Sopranos, 24, Dexter, Breaking Bad, and The Shield for good examples – and only Breaking Bad creator Vince Gilligan had enough moxie to pull the plug on Walter White.

The discussion now continues regarding Mad Men and its conflicted lead Don Draper (Jon Hamm), with the watercooler talk firmly on the “Don will die” side. This conversation is ludicrous because people are missing the truth – Don Draper is already dead.

Now, we can take that literally because Don Draper – the real Don Draper – is actually long dead because Lieutenant Donald Draper died during the Korean War. The man we know as Don is actually Dick Whitman, the son of a prostitute who dies giving birth to him. Having been brought up in a house of ill repute, Dick has no trouble switching dog tags with Draper after he is killed in a battle that also wounds Dick. When Dick returns home as Draper, he has been awarded the Purple Heart.

Fans of the show know that Don is no war hero – but all of this hangs around his neck like an albatross. The slick Don Draper we meet is a creation of circumstance, timing, and Roger Sterling (John Slattery), who gets into a drunken stupor with Don and forgets that he never offered him a job. Don takes every opportunity as we can see from these actions and this propels him to the spot where he is now – able to write a $1 million check to second wife Megan (Jessica Paré) as a way of settling their divorce amicably.

mad 4 Getting back to the guy we know as Don now, there is definite evidence that he is going to “die” but not in the way everyone may be thinking. Don’s journey has been a long and excruciating one – with much of the turmoil of his own doing – and as the pieces keep crumbling all around him, that “falling man” from the opening credits is surely imagined as Don taking the plunge like a despondent stockbroker jumping after the crash in 1929.

My thinking is that the end of the 1960s has driven a definitive nail into Draper’s coffin. That was his decade to shine; and the Don Draper we know – buttoned down suit, slicked back hair, shiny shoes – is just not meant for the 70s. When he leaves Betty (January Jones) and her family in the last episode, he realizes not only what he is missing but what he has lost. The man who had no family life growing up has nothing now.

mad 2 This brings us to Diana (Elizabeth Reaser) – a waitress Don sees in a diner one night who reminds him of a lost love. Don doesn’t usually pursue women who work outside of his realm of high-stakes advertising, but she intrigues him enough that they have a sordid back alley tryst and then later he brings her home. On the elevator in his apartment building, old flame Sylvia (Linda Cardellini) and her doctor husband meet them and Don has an uncomfortable moment of past and present lovers colliding – but Sylvia acts as if Diana is not even there. Her ignorance is either bliss or defines what Don means in her life now – nothing!

Unlike other women, Diana ends things with Don and this defies the logic of his life – women don’t leave Don Draper. Don, who famously once said, “It’s over when I say it’s over” sadly learns the fat lady has sung without even realizing it. When he returns home to his apartment, he discovers Megan and her mother (Julia Ormond) have cleaned out the place. He stares at the vacant space incredulously, rooms as empty as his life has become.

My theory as we move forward is that Don is going to realize that he can no longer live the lie that he has created. All of his machinations have left him alone and broken, and there aren’t enough cigarettes, alcoholic beverages, and willing women to assuage that internal pain that is tearing him apart. Don hates his life just as much as other people despise him. He is not loved; he is no one’s friend, and there is no hope for Don Draper in the world that he has established.

So Don Draper will indeed die in the series finale – and it will be of his own doing. No, Don’s not going to fall off the building as in the opening credits, but he will shed that sleazy Draper skin that has become thickened, hardened, and inured to life’s true pleasures. Don will go back to being Dick Whitman, fur salesman, used car salesman, and basically nobody.

Only by throwing away all Don has accomplished can Dick ever be free. Dick never earned that Purple Heart or anything that came after it. Now Don can go off and be Dick again, and in doing so he will be able to perhaps connect to the things in life he has always wanted but could never attain – love, family, and happiness.

mad 3 At the end of the opening credits we see the silhouette sitting peacefully and smoking a cigarette – but that is not Don Draper. I believe that is Dick Whitman and he can finally relax and be the person he has always been meant to be. Yes, Don Draper will “die” in the end, but that’s the only way he can ever really live.

Photo Credits: AMC, pixshark.com

 

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About Victor Lana

Victor Lana's stories, articles, and poems have been published in literary magazines and online. His books 'A Death in Prague' (2002), 'Move' (2003), 'The Savage Quiet September Sun: A Collection of 9/11 Stories' (2005), and 'Like a Passing Shadow' (2009) are available in print, online, and as e-books. His latest books 'Heartbeat and Other Poems,' 'If the Fates Allow: New York Christmas Stories,' 'Garden of Ghosts,' and 'Flashes in the Pan' are available exclusively on Amazon. After winning the National Arts Club Award for Poetry while attending Queens College, he concentrated on writing mostly fiction and non-fiction prose until the recent publication of his new book of poetry, 'Heartbeat and Other Poems' (now available on Amazon). He has worked as a faculty advisor to school literary magazines and enjoys the creative process as a writer, editor, and collaborator. He has been with 'Blogcritics Magazine' since July 2005 and has written many articles on a variety of topics; previously co-head sports editor, he now is a Culture and Society and Flash Ficition editor. Having traveled extensively, Victor has visited six continents and intends to get to Antarctica someday where he figures a few ideas for new stories await him.

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6 comments

  1. Agreed. I have always believed (hoped?) Don would either revert to Dick Whitman or meld the best of both into an authentic self. I see him returning to California where he was happiest, perhaps buying back Anna’s house, and living on the beach, catching up with movie viewing, reading, enjoying the kids who spend their summer vacations with him. He has money enough for his simple needs and I wouldn’t be surprised to find him restoring classic cars or working on muscle cars and going to (sponsoring?) drag races.

  2. I completely agree with this and am glad this pov is out there. Yes, Don Draper the persona will die. I think that much of season 7, part 1 and 2, has been about Don unconsciously seeking reintegration and authenticity within himself. He now tells stories casually about his childhood in a brothel, he easily writes a check for $1 million to end things with his wife, and he pursues a plain jane waitress who represents nothing of the glitz or sophostication of Don’s fabricated life. Her rejectionnof him is worrisome and hopefully not foreboding, but overall, I don’t see Don committing suicide, I see him simply letting it all go.

  3. Thank you for these comments. You both make good points, and I think we are all making connections and wanting Don/Dick to finally find a way out.

  4. While some sort of shedding may happen, reassuming life as Dick Whitman is not possible due to the fact that on paper Dick Whitman is dead.

    • Yes, I agree that he will not become “Dick Whitman” again officially, but I’m talking about in every other way that is crucial to not only salvaging something of his integrity but also saving his soul. He must stop being the Don Draper he has manufactured and, as Floretta mentions below, perhaps he can blend the persona of Dick into Don in a way that will allow him to be a caring human being again. All the signals point to him going in that direction because even he knows “wonderful things” never really happened in apartment 17B.

  5. Excellent article, Victor.

    I identify with many of the points you make: my years during the 60s and 70s in corporate America with all it’s cruelties and delusions, and the family disasters caused by the deadly greed and opportunism of popular culture and money lust. Most of the worst people killed themselves, whether it was the ex-boss who stopped under an overpass on the Sacramento freeway, opened the glove box of his luxury car and used the pistol therein to blow his brains out, or the ex-wife whose hatred and disappointment consumed her body in a black disease because, at the end, she wouldn’t use a colostomy bag out of vanity. They are all gone. Whether or not any of the people they harmed came to realize they could be free of those monsters their malevolence has finally been curbed.

    An astute person might point out that Don/Dick is an American retelling of the story of Siddhartha, the Buddha, but we have no reflective origins story of redemption here since we Americans are so dedicated to triumph rather than self-discovery. A big mistake. We miss the Bigger Triumph.

    My father used to say: “it’s a great life, if you don’t weaken.” And it’s true! Once again, Dad proved to be right.