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“Let’s debate this out in the open, take polls, get the president on the record and turn up the heat”

William Safire writing today in the NY Times against impending FCC media ownership deregulation:

    The F.C.C. proposal remains officially secret to avoid public comment but was forced into the open by the two commission Democrats. It would end the ban in most cities of cross-ownership of television stations and newspapers, allowing such companies as The New York Times, Washington Post and Chicago Tribune to gobble up ever more electronic outlets. It would permit Viacom, Disney and AOL Time Warner to control TV stations with nearly half the national audience. In the largest cities, it would allow owners of “only” two TV stations to buy a third.

    We’ve already seen what happened when the F.C.C. allowed the monopolization of local radio: today three companies own half the stations in America, delivering a homogenized product that neglects local news coverage and dictates music sales.

    And the F.C.C. has abdicated enforcement of the “public interest” requirement in issuing licenses. Time was, broadcasters had to regularly reapply and show public-interest programming to earn continuance; now they mail the F.C.C. a postcard every eight years that nobody reads.

    ….Ah, but aren’t viewers and readers now blessed with a whole new world of hot competition through cable and the Internet? That’s the shucks-we’re-no-monopolists line that Rupert Murdoch will take today in testimony before the pussycats of John McCain’s Senate Commerce Committee.

    The answer is no. Many artists, consumers, musicians and journalists know that such protestations of cable and Internet competition by the huge dominators of content and communication are malarkey. The overwhelming amount of news and entertainment comes via broadcast and print. Putting those outlets in fewer and bigger hands profits the few at the cost of the many.

    Does that sound un-conservative? Not to me. The concentration of power – political, corporate, media, cultural – should be anathema to conservatives. The diffusion of power through local control, thereby encouraging individual participation, is the essence of federalism and the greatest expression of democracy.

    ….That’s why I march uncomfortably alongside CodePink Women for Peace and the National Rifle Association, between liberal Olympia Snowe and conservative Ted Stevens under the banner of “localism, competition and diversity of views.” That’s why, too, we resent the conflicted refusal of most networks, stations and their putative purchasers to report fully and in prime time on their owners’ power grab scheduled for June 2.

    Must broadcasters of news act only on behalf of the powerful broadcast lobby? Are they not obligated, in the long-forgotten “public interest,” to call to the attention of viewers and readers the arrogance of a regulatory commission that will not hold extended public hearings on the most controversial decision in its history?

    So much of our lives should not be in the hands of one swing-vote commissioner. Let’s debate this out in the open, take polls, get the president on the record and turn up the heat.

Everyone, their mothers, and their horses appear to be against this OTHER than the three Republican FCC Commissioners, and massive media. Is this democracy? Or plutocracy, mendacity, bombasity, and just plain assity? Maybe there is still hope.

About Eric Olsen

Career media professional and serial entrepreneur Eric Olsen flung himself into the paranormal world in 2012, creating the America's Most Haunted brand and co-authoring the award-winning America's Most Haunted book, published by Berkley/Penguin in Sept, 2014. Olsen is co-host of the nationally syndicated broadcast and Internet radio talk show After Hours AM; his entertaining and informative America's Most Haunted website and social media outlets are must-reads: Twitter@amhaunted, Facebook.com/amhaunted, Pinterest America's Most Haunted. Olsen is also guitarist/singer for popular and wildly eclectic Cleveland cover band The Props.

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