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KaZaA Partners With European High-Speed Provider

The NY Times reports today:

    Under the deal, KaZaA’s owner, Sharman Networks Ltd., will advertise high-speed Internet access provided by Tiscali, an Italian Internet provider, to its tens of millions of European users. In return Tiscali, which serves around seven million customers in 15 countries, will pay Sharman a “bounty” for each KaZaA user who signs up for its high-speed access service.

    The deal, the first of its kind, appears to give KaZaA a new ally in the fierce legal and policy debate that has pitted the record companies against KaZaA and similar services, including their renowned — but now dead — predecessor, Napster. The record companies have accused the services of abetting the illegal free exchange of billions of music files, and, in turn, of causing a decline in record sales.

    “Prior to this, you could characterize KaZaA as a beleaguered company on the outskirts,” said Mark F. Radcliffe, an intellectual property laywer in Palo Alto, Calif. “This gives legitimacy to KaZaA.”

    The deal also underscores the potential common interests of high-speed Internet access providers and organizations that deliver complex digital media. Internet providers, including Tiscali, have said that one way to convince consumers to pay for more expensive high-speed access is to offer them content, like movies and music, that takes more time — an often excruciating amount of time — to download using slower dial-up connections.

    Mario Mariani, senior vice president for access and media business of Tiscali, a public company based in Cagliari, Sardinia, that is listed on the Nuovo Mercato in Milan, said he hopes for “great success” in adding to Tiscali’s modest base of 100,000 high-speed users. The rest of the company’s customers access the Internet through dial-up phone lines.

    ….Record companies in the United States and Europe, facing wide criticism that they have fallen behind in technology, have said they cannot afford to emulate KaZaA and services like it, which allow users to exchange songs for free over the Internet through their home computers. The companies say they are trying to find a balance between meeting consumer demands and making a level of profit they deem acceptable.

    Sharman Networks, which is based in Australia, boasts that 120 million people have downloaded its KaZaA software; the announcement of the deal with Tiscali is part of the latest release of KaZaA’s software, called the KaZaA Media Desktop.

    Whether a new legitimacy will result from the deal with Tiscali and whether it will be blessed with legality remain to be seen. The Recording Industry Association of America, which represents the major record companies, has sued KaZaA in federal court in Los Angeles, alleging copyright infringement. The association is hoping for an outcome similar to that in its case against Napster, which was forced to shut down after a judge found it guilty of assisting copyright infringement.

KaZaA has moved up the food chain with power, money and prestige behind it.

And why would Tiscali do such a thing? Because, as the following report states, demand for high-speed is still relatively low:

    Almost all U.S. families live in areas where a high-speed Internet connection is available, but many see no compelling reason to pay extra for it, the government reports.

    A Commerce Department study, compiled from a variety of analyst surveys, cites a need for more music, movies and games on the Internet in order to make broadband connections more popular.

    “New applications and services that consumers want and businesses need will provide the tipping point for broadband demand and usage,” says the report from the department’s Office of Technology Policy.

    Only 10 percent of U.S. households subscribe to high-speed access, lower than the rate in Taiwan, South Korea, Hong Kong or Canada. About half of American families have some type of Internet access at home.

    Several technology lobbying groups have endorsed different approaches to a national broadband strategy to encourage further use of technology that would allow even faster connections than current high-speed home networks.

    The report partially agrees with that assertion. “Today’s broadband will be tomorrow’s traffic jam,” it says, but as a whole it stresses a need to increase demand rather than to build more and faster networks.

    The report credits the defunct file-trading service Napster for promoting the purchase of high-speed access as well as PCs, CD-ROM writers and large hard drives. But since Napster fell under legal action from the music industry, nothing similar has taken its place.

    New file-trading networks tend to be hard to use and still are threatened by lawsuits, while the music industry’s legal online delivery services have been criticized as too expensive and restrictive. There remains no legal way to find most popular movies online.

    Industry has the responsibility to devise copyright protection technology, according to the administration report. That runs counter to some congressional efforts, backed by media companies like Disney and News Corp. and opposed by electronics makers, to have government approve a copyright technology that would be used in all electronic devices.

Content drives demand, and music is the most widely available content at this point.

About Eric Olsen

Career media professional and serial entrepreneur Eric Olsen flung himself into the paranormal world in 2012, creating the America's Most Haunted brand and co-authoring the award-winning America's Most Haunted book, published by Berkley/Penguin in Sept, 2014. Olsen is co-host of the nationally syndicated broadcast and Internet radio talk show After Hours AM; his entertaining and informative America's Most Haunted website and social media outlets are must-reads: [email protected], Facebook.com/amhaunted, Pinterest America's Most Haunted. Olsen is also guitarist/singer for popular and wildly eclectic Cleveland cover band The Props.

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