Interview With Tim DeLaughter Of The Polyphonic Spree

First, what have you guys been up to? I loved the debut EP and CD but haven't heard much from you in the last two years. What's been going on?

Man, what a question. What hasn't been going on the last two years? We'll just say preparing an album, on a much needed break and having babies.

Rather than me try to put a label on your new direction, how would you describe how the new EP – and forthcoming album – sound different from the old stuff?

I'd say it's a little more urgent. More electric. And still in the spirit of The Spree. We are excited to have utilized the instruments in a different light.

I'm not sure what to make of the covers of Psychedelic Furs and Nirvana on your EP. Why did you decide on those particular songs?

It's one of those things that we didn't overthink. It was spontaneous and we had a chance to work with Jon Brion. He came to Dallas for an evening and we just cranked out different ideas and songs 'til we stumbled upon these two. The idea was to do a cover or two but not sure what. Yes, ballsy to have covered Nirvana. But Jon made sure it was our own while paying tribute to one of the best songs ever written. 

No. I don't think so. The only common thread really is the fact there is a little more "rock" factor, but I believe our new album covers much more ground. And has its own character and sound.

I read your new album is going to be anti-war. Is that correct?

Hmmmm. The new album asks questions as we humans constantly do… then has bursts of emotion exploring politics, love and relationships… and how we are affected.

What's the best part about being part of such a large band? What's the worst part?

The best is obviously the opportunity to play with so many great players… as well as the adventure instrumentally. I love the immediate gratification I get with this group.

The worst? Having approximately 30 people on the road and in the studio trying to survive in order to present a real show/recording with all instruments intact whilst hearing about three- and four-piece bands "hiring" out a sound for studio recordings, then being hailed as a "rock opera" in the commercial world while traveling in two or three buses with little, or true presentation of the title they've earned.