Wednesday , May 29 2024
Why is Rose Hartman incomparable?

DOC NYC Review and Interview With ‘The Incomparable Rose Hartman’

The Incomparable Rose Hartman, Andy Warhol, Lou Reed, Rose Hartman
(L to R): Andy Warhol and Lou Reed photographed by Rose Hartman in ‘The Incomparable Rose Hartman.’ (photo courtesy of the film)

Iconic photographer Rose Hartman is known by the places she gets into and the company she keeps. And over the years, she has kept some incredible company with greats, near greats, and infamously greats. The astounding photographs Hartman took of personages who were/are cultural phenomena have a range and breadth that few other photographers have been able to match. And for those who do compete with her in their lasting power to have photographed everyone from Liz Taylor and Richard Burton to Andy Warhol and his crew, Johnny Depp, Bianca and Mick Jagger, etc., Rose has managed to excel in solidifying the still moment in historical time that no other photographer has seen, let alone managed to capture.

In his fascinating documentary The Incomparable Rose Hartman, director Øtis Mass uncovers the Hartman photographic touch to reveal that at the time, as a woman who was not of the breathtaking celebrity “class,” Hartman did the unthinkable. She captured the uncapturable elites on film in the candid moment elevating the celebrity “in the real” with immeasurable grace. Mass asks her the pointed questions about her artistry and herself (she is slippery), while allowing the chemistry of her feisty nature, her assertiveness and her maverick determination to move forward, to shine on film.

bianca Jagger, Rose Hartman, The Incomparable Rose Hartman
Bianca Jagger at Studio 54 (1977) by Rose Hartman in ‘The Incomparable Rose Hartman.’ (photo courtesy of the film)

Mass, through interviews with Hartman and others (friends, confidantes, assistants, fashionistas, critics, designers), shows how she became successful and how she was able to make a career redefining herself and her time. She learned to get the “money shots.” To do this she vaulted herself with authority into the midst of the trending cultural action, surreptitiously walking into galas, openings, celebrity “events” wherever they might be. She even, through extraordinary means, secured tickets to events whose invitation or entrance, money couldn’t buy.

Hartman influenced what modern photographers and fashion designers take for granted today. She went back stage before haute couture fashion shows to shoot the hair and make-up preparation and whatever she intuited was fascinating and real and beautiful. This was unheard of and simply never considered “back in the day.” She had unprecedented access because no one thought to stop her. And as a result she created a movement seeking to reveal the underpinnings of fashion beyond the runway.

Otis Mass, Rose Hartman, The Incomparable Rose Hartman
Director Øtis Mass and Rose Hartman for ‘The Incredible Rose Hartman.’ (photo courtesy of the film)

Mass reveals that part of her mantra and her mission was to snap the finest, most beautiful photographs of “the beautiful people” against the bas relief of reality. She took candid photos which is not easy to do to make the subject look awesome. Most vitally, she sought to allow the personage’s soul to peak through in the hope that she would be able to identify who the individual was beyond the mask of appearance, beyond the artificiality of “celebrity persona,” past image, to their deepest most vulnerable humanity.

Rose took one-of-a-kind photographs that are stellar in their revealing the wistfulness in the personalities so that viewers would empathize. Unlike paparazzi who look to embarrass, to humiliate, to weaken, to demean, her intention was and is to reveal the innocence in the beauty, the mischief and fun in the heart, the secret love between couples, the deeper elements of character. Indeed, her images bring one closer to her subjects and allow the viewer to see the intricacies of the shot composition to appreciate its artistry.

Woody Allan and NYPD in a photograph by Rose Hartman, 'The Incomparable Rose Hartman' (photo courtesy of the film)
Woody Allen and NYPD Mounted Unit, photograph by Rose Hartman, ‘The Incomparable Rose Hartman’ (photo courtesy of the film)

Her photographs are always unique and singularly Rose Hartman. It is no surprise that with her sterling images she defined New York City as a fashion center of glamour and whose night life blazed past dawn. Her efforts helped to redouble the efforts of the art world where Warhol and his crew and retinue played, danced and made history.

Hartman captured then and now our celebrity social history like no other. And Mass edits archived photographs and intercuts them with Hartman commentary and further adds discussions with those who know her and her work best. Throughout, he intercuts those interviewed with black and white photographs to illustrate their points. What he arrives at is an interesting combination of social history, critique of the times, and a selection of key personages who defined the times (from the 1960s to the present). In short he crystallizes how Hartman evolved as a woman and an artist, intimating her fierce perseverance. Her tenacity and ambition in the largely male field of photography was unknown at that time for a woman that size (she is tiny), and from that social strata.

After screening Mass’ documentary about a maker and shaper of New York culture through her candid photographs, I had the opportunity to do an email interview with the irrepressible Rose Hartman and found her to be forthright and delightful.

What impact do you feel you might have had upon the fashion industry and/or photo journalism in inspiring it toward the direction where it has gone today?
Before I documented fashion shows backstage, few photographers were interested in covering behind-the-scenes. I like to think I inspired endless, and I mean endless documentary photographers to show this exciting subject.
Are you showing your work in galleries currently? If not, would you like to? Where?
My photos are available for purchase at Staley-Wise and the George Berges Gallery, both in Soho. My desire is a museum retrospective in NY, LA or in Europe.
Is your work copyrighted? How have things changed with regard to the internet and Social Media for photographers?
I have not copyrighted my photos (my agency is Getty and they license many of my images). Of course, social media is flooded with everyone who thinks he or she is a photographer. Making a forever photo takes years of keen observation before shooting.
Are there any individuals you would like to photograph currently?
While I photographed an unbelievable number of personalities, from Jackie Onassis to Bill Clinton to Naomi Campbell, today, the incomparable Cate Blanchett is at the  top of my list to photograph. I know that Ms. Blanchett would be pleased with the results.
What advice might you give to journalists or photo journalists or entertainment journalists who are freelancing? What must they do to evolve their own personality as you did?
A good deal of preparation before pursuing photo journalism is involved. Personally, I would suggest visiting  photo exhibitions in galleries, museums, and online. Also, they need to take a photo history or photo aesthetics workshop. Both are highly recommended.
What do you hope audiences take away from this film.
I hope that audiences of all ages garner an appreciation of how much is involved in “making” a photo that endures. Also, the notion of following one’s passion is key.


About Carole Di Tosti

Carole Di Tosti, Ph.D. is a published writer, playwright, novelist, poet. She owns and manages three well-established blogs: 'The Fat and the Skinny,' 'All Along the NYC Skyline' ( 'A Christian Apologists' Sonnets.' She also manages the newly established 'Carole Di Tosti's Linchpin,' which is devoted to foreign theater reviews and guest reviews. She contributed articles to Technorati (310) on various trending topics from 2011-2013. To Blogcritics she has contributed 583+ reviews, interviews on films and theater predominately. Carole Di Tosti also has reviewed NYBG exhibits and wine events. She guest writes for 'Theater Pizzazz' and has contributed to 'T2Chronicles,' 'NY Theatre Wire' and other online publications. She covers NYC trending events and writes articles promoting advocacy. She professionally free-lanced for TMR and VERVE for 1 1/2 years. She was a former English Instructor. Her published dissertation is referenced in three books, two by Margo Ely, Ph.D. Her novel 'Peregrine: The Ceremony of Powers' will be on sale in January 2021. Her full length plays, 'Edgar,' 'The Painter on His Way to Work,' and 'Pandemics or How Maria Caught Her Vibe' are being submitted for representation and production.