Co-star Lang's one-act piece is a warm portrait of one of the most famous (and forgotten) acting couples in Broadway history.
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Theatre Review (Singapore): ‘My Mother Buys Condoms’ by Helmi Yusof
Unique viewpoint of senior citizens continuing to live, even if that means rediscovering the joys of sex.
Read More »Theatre Review (Singapore): Wild Rice’s ‘Hotel’ by Alfian Sa’at and Marcia Vanderstraaten
These are exactly the types of Singapore stories that the world would be fascinated to watch: raw, real, riveting and resonant.
Read More »EXCLUSIVE: Interview with Adelaide Mestre on Her Solo Show ‘Top Drawer’
For thousands of Cubans who escaped to the U.S. when Castro took over the country and confiscated their lands and dreams in the name of Communism, there was always the hope of return. Fifty years later the hopes have manifested into reality. Adelaide Mestre, of Cuban ancestry, was one of …
Read More »Theater Review (NYC): William Shakespeare’s ‘Hamlet’
This 'Hamlet' isn't the exploration of Shakespeare's sources that I expected. But it's good Shakespeare.
Read More »Theatre Review (Singapore): ‘Les Misérables’
'Les Miz' proves a timeless musical, still with remarkable visual and aural splendor more than 30 years on.
Read More »Theater Review (NYC): ‘A Man Like You’ by Silvia Cassini
This intense new play hurls us into a deadly thicket of politics and diplomacy, international business intrigue, the clash of cultures, and jihad through the fictional story of a British hostage in Somalia.
Read More »Theater Review (NYC): ‘Helvectica’ by Will Coleman
Lovely writing and solid acting make Will Coleman's literate, thoughtful one-act shine, but an unorthodox structure prevents it from achieving a dramatic arc.
Read More »Theater Review (Washington, D.C.): Special Performances of ‘The Originalist’ at Arena Stage
Edward Gero gives a brilliant portrayal of the late Justice Antonin Scalia in John Strand's political drama.
Read More »Getting on Board with Acting – Part 1
The common wisdom is that screenwriters should take an acting class to understand what it's like to be on the receiving end of a script. I suppose not doing so, would be like trying to design a boat without having ever taken one out on the water. OK, I'm getting on board.
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