Theater

When the spiritual world and the material world come together, a shattering reformation leads toward heaven and hell.

Who would have thought Kander and Ebb's classic musical of 1930s Berlin would take on political relevance in the United States in the 21st century? An intimate new production makes the point with snazzy staging and a fine cast.

The Flux Theatre Ensemble's crisp new show careens from laugh to laugh. But the final action of its heroine/hero reminds us what really makes a legend, and how Robin Hood, who may never have really existed, is always with us.

Is open marriage a sacrifice of marriage bonds or an enhancement?

The memories of his forced service at Auschwitz haunt a Sephardic Jew for the rest of his life in this searing, frighteningly timely one-man play.

Based on a true story of medical science vs. Native American beliefs, Laufer's play creates a too-simplistic binary picture of the issues, though the production is worth seeing for its excellent staging and acting.

The director and cast have wisely kept the slenderized production intimate and "close to the hearth," helped by handsome artistic design and fine musical direction. The character portrayals are down-to-earth and heartfelt amidst an energy and joyful vibrance that is contagious and encourages us to soar spiritually.

The Playhouse production of Sam Shepard's 1983 work is well-staged, but the piece itself has lost much of its original ability to shock.

The bizarre storyline is paper-thin, but the performances shine in this tuneful throwback to the days when nightclubs really swung.

The first musical from this fabulously inventive puppeteer ensemble may be the troupe's most charming production yet. Brightly gripping, and written and directed in a classic fabulist style, it's replete with innovative marvels of illusion.