Theater

"Rhombus represents the catalyst of change and she believes it's for all the good reasons."

In André & Dorine masked actors tell a story of dementia in a brilliantly original way: without dialogue. There’s something painfully appropriate about using a wordless and facial expression-free medium to depict the decline of a mind. Presented by Kulunka Teatro, a company from the Basque country of Spain, the …

"I'm really proud that people from every kind of background tend to enjoy the show. I think the humor cuts across all demographics, which makes me happy because Groucho was the little guy taking down the establishment."

"The play asks a lot of questions about the way we live now."

"There is a subtle struggle with mental health that doesn't get portrayed too much. In 'Tapped,' the hope in dealing with that is all about the connection between real people."

Kate Galvin previews what audiences can expect with Cardinal's new production, 'Ada and the Engine.'

"It's really important to me to use the arts to say that maybe we can change things and what a better future might look like. We can do it with joy and camaraderie, rather than thinking of it as going without."

"Make-believe fights are something that I grew up doing as a kid. Having a sword is amazing. It's a dream come true."

"I wanted to look into denial and how you come to terms with something and try to find closure. Each character becomes stronger as they are reconciling what they've all individually been through in loss and loneliness."

Playwright, sound designer, and co-director Leegrid Stevens on his new psychological horror play and how sound and lights help his productions "transport people quickly to impossible places."