This demanding new work won't appeal to everyone, but it's so different that it's fascinating.
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Theatre Review (London): Clybourne Park at the Wyndham Theatre
To explore particularly unpleasant middle-class mores requires spending an evening in the company of prattling, middle-class bores.
Read More »Theater Review (NYC): Dolores and North of Providence
Two one-acts explore siblings and catastrophe.
Read More »Theater Review (NYC): ‘Immortal: The Gilgamesh Variations’
This fascinating, original, and extremely well done production is worth while both as theatrical experience and for immersion in myths more ancient than the Greeks.
Read More »Strolling Anew up Avenue Q
The raunchy-sweet puppet musical steps lively at its new Off Broadway home.
Read More »Theatre Review (London): Kaspar by the Aya Theatre, at Arch 6
This is avant-garde theatre with a capital A. See it if you dare...
Read More »Theater Review: ‘John Gabriel Borkman’ by Henrik Ibsen, with Alan Rickman and Fiona Shaw
The Abbey's star-studded production shows this problematic late work of Ibsen's in as good a light as you're likely to see.
Read More »Theater Review (NYC): ‘Pants on Fire’s Metamorphoses’ Conceived and Adapted by Peter Bramley, after Ovid
Infused with modern and ancient techniques, this vivid retelling of some of the most famous Greek/Roman myths proves those myths remain not only relevant but alive.
Read More »Theater Review (NYC): ‘Dracula’ Starring George Hearn
With popular culture practically choking on vampires, does the original Dracula still have anything to say to us?
Read More »Theater Review (NYC): ‘A Small Fire’ by Adam Bock at Playwrights Horizons
A tough, middle-aged construction contractor is losing her senses—literally.
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