"More and more, we want to have a good time. We want to go to the theatre in the way that we look forward to watching easy-to-digest rom-coms."
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Theater Review (NYC): ‘iNegro, a Rhapsody’ Written and Performed by Kareem M. Lucas
This audacious solo show asks big, fiery questions about race, family, and the meaning of an individual's life and agency in the world.
Read More »Theatre Interview: Amy Ambrose, ‘A Midsummer Night’s Dream’ at Reading Rep
"I thought by playing Titania that I might get a rest in this one, actually sit in my fairy kingdom, and tell people what to do."
Read More »Theatre Interview: Miriam O’Brien on Playing the Villain in Musical Comedy ‘Milky Peaks,’ on Tour in Wales
"Rhombus represents the catalyst of change and she believes it's for all the good reasons."
Read More »Theater Review (NYC): Masks Can’t Mask Love in ‘André & Dorine’
In André & Dorine masked actors tell a story of dementia in a brilliantly original way: without dialogue. There’s something painfully appropriate about using a wordless and facial expression-free medium to depict the decline of a mind. Presented by Kulunka Teatro, a company from the Basque country of Spain, the …
Read More »TV Interview: Frank Ferrante on ‘Frank Ferrante’s Groucho’ and Playing Groucho Marx for 37 Years
"I'm really proud that people from every kind of background tend to enjoy the show. I think the humor cuts across all demographics, which makes me happy because Groucho was the little guy taking down the establishment."
Read More »Theatre Interview: Belinda Lang, Director, ‘The Children’ at Salisbury Playhouse
"The play asks a lot of questions about the way we live now."
Read More »Theatre Interview: Max Hastings from ‘Tapped’ at London’s Theatre503
"There is a subtle struggle with mental health that doesn't get portrayed too much. In 'Tapped,' the hope in dealing with that is all about the connection between real people."
Read More »Theater Interview: Kate Galvin, Artistic Director of Cardinal Stage, on Directing ‘Ada and the Engine’
Kate Galvin previews what audiences can expect with Cardinal's new production, 'Ada and the Engine.'
Read More »Theatre Interview: Helen Eastman, Director, ‘Alby the Penguin Saves the World’ at Reading Rep
"It's really important to me to use the arts to say that maybe we can change things and what a better future might look like. We can do it with joy and camaraderie, rather than thinking of it as going without."
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