Pee-wee Herman returns to the stage with a fun (AAHH!!) show for all ages.
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Theater Review (Boston): The Good Negro by Tracey Scott Wilson
This well-acted, well-directed production deserves attention beyond the Martin Luther King Day celebration.
Read More »Cabaret Review (NYC): The Truth About Love…and the Usual Lies with Jessica Medoff and Michael Bunchman
This cabaret song cycle effectively weaves art songs and show tunes together, all on the inexhaustible subject of love.
Read More »Theater Review (NYC): The Pirates of Penzance at New York City Center
Gilbert and Sullivan: Still "varying piracy" with a laughter guarantee.
Read More »From the Green Room: Children’s Theater
Expect the unexpected in children's interactive theater.
Read More »Opera Review (NYC): The Barber of Seville at the Bleecker Street Opera
This is gritty opera, just the basics, but what crowd-pleasing basics they are.
Read More »Opera Review (NYC): Hansel and Gretel at the Metropolitan Opera
The Christian God is a latecomer to this musical feast; perhaps he'll be seated during intermission, at the discretion of the management.
Read More »Dance Review (NYC): Snow White by Company XIV
Choreographer Austin McCormick and his multi-talented troupe conjure an extravagant feast for the eye and ear – and for all ages.
Read More »Theater Review (NYC): Fault Lines by Rebecca Louise Miller
Inspired by a real-life case, this is a skilfully told story of the aftermath of a terrible crime.
Read More »Theater Review (NYC): Race by David Mamet
Attack of the client from hell.
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