In this powerful revival of the Tony-nominated play from 1992, hostages in Lebanon squabble, bond, and try to keep themselves calm and sane.
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Theater Review (NYC): ‘The Bad and the Better’ by Derek Ahonen
The new show from The Amoralists makes a delightfully intense fuss before riding rather off the rails.
Read More »Theater Review (NYC): Chris Tanner’s ‘The Etiquette of Death’ at La Mama
A campy musical about death – what could go wrong? Alas, quite a bit.
Read More »Theatre Review (LA): Jennifer Aniston Stole My Life at the Hollywood Fringe Festival
Jon Courie's comedy about the dark side of celebrity makes its premiere at the Hudson Guild Theatre in Hollywood.
Read More »Theatre Review (London): Be Good Revolutionaries at the Ovalhouse
How families and revolutions can tear individuals apart.
Read More »Blu-ray Review: Andrew Lloyd Webber’s Love Never Dies
But some of his ideas sure do!
Read More »Theater Review (LA): No Way Around But Through by Scott Caan
Scott Caan's earnest but tedious romantic comedy makes its world premiere at the Falcon Theatre in Burbank.
Read More »Theater Review (LA): Take Me Out
Richard Greenberg's Tony Award-winning 2002 play receives a highly imperfect staging at the Sky Lounge Theatre in North Hollywood.
Read More »Theater Review (NYC): ‘Amelia’ by Alex Webb at Fort Jay, Governors Island
Alex Webb's two-person Civil War drama makes its New York debut in a dark cold stone chamber inside a former rebel prison camp.
Read More »Theater Review (NYC): ‘Rapture, Blister, Burn’ by Gina Gionfriddo
Amy Brenneman stars as Playwrights Horizons calls on the deities and demons of feminism, from Freud and Nancy Friday to Phyllis Schlafly.
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