Stage Club's offering of the play based on the movie fell short because of mediocre acting and Tim Firth's thin script.
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Interview: Peter Ong and Petrina Kow from Stephen Sondheim’s Company (Singapore)
The two cast members answer questions about their experiences rehearsing the Tony-winning musical.
Read More »Theatre Review (NYC): Doubt – Who’s Watching Your Class?
What do we believe in? Who do we believe?
Read More »Theater Review (LA): Sweeney Todd: The Demon Barber of Fleet Street
Pacific Opera Project presents a superb, full-bodied revival of Sondheim and Wheeler's Tony award-winning dark musical.
Read More »Theater Review (NYC): ‘A History of Launching Ships’ by Avi Glickstein at the Brooklyn Navy Yard
The historic Navy Yard hosts an experimental work of magic realism rooted in the real history of the famous shipbuilding site.
Read More »Theatre Review (Singapore): Waiting for Godot by Samuel Beckett
Waiting For Godot will leave you waiting for answers.
Read More »Dance Review (Singapore): Burn the Floor by Base Entertainment
Spectacular dance action in a variety of styles from 22 world dance championship winners kept the audience toe-tapping and moving in their seats.
Read More »Interview: Choreographers of Singapore Dance Theatre’s Passages
Sold out in 2011, Passages returns in November 2012 with new works by three choreographers who answer some questions about their dance pieces.
Read More »Interview: Tony Award Winner Lea Salonga
Tony Award Winner Lea Salonga, soon to appear in God of Carnage, speaks her mind about being a mother, her awards, and turning the big 4-0.
Read More »Theater Review (NYC): ‘Heresy’ by A.R. Gurney
A fuzzy image the near future nevertheless offers an amusing and well-played take on the state of the union.
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