Conjoined twins wrestle with the pain of separation in this remarkable play from Bulgaria.
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Theater Review (NYC): ‘Omnia Ad Dei Gloriam (Or, Les the Least Straightens the Lord)’
A 1960s comic jazz oratorio by composer Gerald Fried ('Star Trek', 'Roots') gets a brief new life at the New York Musical Theatre Festival.
Read More »Circus Review (NYC): Cirque du Soleil’s ‘Quidam’
In a world of digital distraction, a show full of physical and aesthetic wonders reminds us that within each of us still lives an imaginative child anxious to be awed.
Read More »Theater Review (LA): ‘The Last Days of Judas Iscariot’ by Stephen Adly Guirgis
This literate meditation on salvation receives a fine revival at the Hudson Theater in Hollywood.
Read More »Theatre Review (Singapore): ‘The Phantom of the Opera’ by Andrew Lloyd Webber
Even in today's world of Facebook and Instagram, the Phantom can still get inside your head.
Read More »Theater Review (NYC): Harlem Summer Shakespeare’s ‘The Taming of the Shrew’
Shakespeare's most culturally outdated play gets a boisterous Caribbean-ized production at the Riverbank State Park amphitheater by the Hudson River.
Read More »Theater Review (NYC): ‘The Two-Character Play’ by Tennessee Williams
This rare and experimental gem is Off Broadway in an electrifying revival starring Amanda Plummer and Brad Dourif.
Read More »Theatre Review (Singapore): Three Plays by Alfian Sa’at
Three plays explore what Singaporeans may be feeling but can't express.
Read More »Theater Review (NYC): ‘Oliver!’ at Snug Harbor, Staten Island
A polished and energetic "regional theater" revival of Lionel Bart's musical treasure blossoms at the Snug Harbor Cultural Center and Botanical Gardens.
Read More »Theatre Review (Singapore): ‘High Class’ by Michael Chiang
A standout performance from Nikki Muller brought Mary Tyler Moore to mind, both physically and in comic and dramatic acting prowess.
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