Editor's Note: This review is part of a series of albums and artists nominated for the 2007 Blues Music Awards (full list of nominees). This album is nominated for Album of the Year, Contemporary Blues Album of the Year, and Magness is nominated for Contemporary Blues Female Artist of the Year.
The name of Janiva Magness' Album of the Year nominee is Do I Move You?. The answer? No. Not really.
Janiva Magness has a terrific voice that burns with passion. It's a voice that rarely falters, unfortunately the same cannot be said of the material and the arrangements. In some instances, the material is just flat bad and no amount of vocal prowess or emotional force can save it. In other instances, the material is solid but the arrangement pulls the song back. It's a shame.
The album opens with “I'm Just a Prisoner (Of Your Good Love).” The title of the song rings the cliche-alert bells and sadly, so does the song itself. Magness' voice is too serious to toss this number off as fun, the words too campy to take seriously. The music is blues-lite which prevents her from cutting loose on the vocal and I just want to strangle whoever arranged these backing vocals. It's possible this song could be better in concert, elevated by the energy that comes from the live setting.
Unfortunately, this is a trend that repeats itself throughout the album. “A Man Size Job” once again sets off the cliché alarm while “Bad Blood” is a bad song. The family tree rundown in the lyrics, “my daddy was a good man/my uncle was a rolling stone,” would make a country diva cringe. Give Magness credit, though, she doesn't phone in her performances even when saddled with material beneath her talent.
There are moments when the album works. “You Were Never Mine” is a great ballad, and I suppose it's not a coincidence that the best song on the album was written by Delbert McClinton (with whom she should record a duet!), Benmont Tench (of Tom Petty & The Heartbreakers), and Gary Nicholson. the music is understated, the song is understated, and there are no hamfisted backing vocals. It's bare, simple, and accentuates Magness' voice. This smoldering song teases us with what might have been.
Much of the rest of the album falls somewhere in between these two extremes. "I Want You to Have Everything" reminds me of Herman's Hermits' "Something Tells Me I'm into Something Good."
Do I Move You? has Magness nominated for three BMAs, so the album is connecting with someone; most likely a female audience. The liner notes practically proclaim this album is reaching for the Thelma & Louise crowd of beer drinkin', hell raisin', hard lovin', good ol' gals out there, but that's not the album she executed. If the music had the same rawness as the attitude of the liner notes, this album might have stood a better chance at scoring that Album of the Year award. She absolutely has the pipes to do it. Let's hope she one day soon gets the material, too.