In The Scribbler, Suki (Katie Cassidy) is being interrogated by Silk (Eliza Dushku) and Moss (Michael Imperioli). The two detectives have a stack of dead bodies they need answers for and think Suki is to blame. It doesn’t help Suki’s story that she suffers from multiple personalities and lives at a halfway house where the residents are literally dropping like flies – right out the window. While in a mental institution, Suki was given a treatment called “The Siamese Burn.” Turns out, the machine they’re using is giving Suki’s most destructive personality – The Scribbler – a chance to show itself. Now, Suki must clear her name with the help of Hogan (Garret Dillahunt), who’s been around the building a few times.
“Based on a graphic novel” can sometimes act as a warning. If you haven’t read the source material, you may wind up scratching your head. Then again, you’d never know Road to Perdition was based on one. Full of neon lighting and bonkers storytelling, Scribbler screenwriter Dan Schaffer finds none of the fun his debut Doghouse aimed for, even while adapting his own graphic novel. Director John Suits aims high for a female superhero origin tale of sorts, but the R-rating oddly gets in the way. Featuring more titillating scenery than usual, all we’re left with is a ton of campiness, available on Blu-ray from XLrator Media on October 21.
The Scribbler kicks its way onto Blu-ray, framed in a 2.39:1 aspect ratio. Considering there are no special features – if you don’t count the film’s trailer – it should come as no surprise that the film is pretty flawless. Especially for being on a 25GB disc. Colors are bright and bold without bleeding. Noise, crush, banding, and aliasing are nonexistent. Detail is exact, except where manipulated in post production. This is a demo worthy presentation, but far better than you’d expect. The 5.1 DTS-HD Master Audio track is very well mixed. Especially when Suki’s personalities start talking to each other. Although, sometimes the center speaker is a tad quieter not getting completely drowned out, but definitely not as audible. Bass keeps the film’s score rocking, and there are English subtitles available.
The best part of The Scribbler, hands down, is Cassidy’s performance. You’ve never seen her like this before. Particularly if she didn’t use a body double for a big sex scene. Gina Gershon is wasted as one of the fellow loonies, and Ashlynn Yennie makes up for the lack of Sasha Grey nudity. Sadly, the film never finds the right pace, relying on how much of Cassidy you’re willing to follow. Considering they never let her look anywhere near as good on Arrow as she does here, chances are most male viewers will find plenty to keep their um, interest, piqued. And while trying to avoid spoilers, Michelle Trachtenberg is completely miscast. The Scribbler may not have any special features but it certainly makes up for it with the presentation. Approach with expectations in check and you might enjoy yourself; just don’t expect a new cult classic.[amazon template=iframe image&asin=B00M1CFWGC]