Monday , March 4 2024
Exactly what you’d expect from one of the reigning sex-ploitation kings.

Blu-ray Review: Jess Franco’s ‘The Demons’

Spanish erotic-auteur Jesús (Jess) Franco is well-known for his trashy exploits in horror. While many have claimed that he’s known for just as much gore as T&A, I have yet to find one of his films to feature the former. As for the latter, Redemption — Kino Lorber’s off-shoot — has released one of his more “erotic” films from 1973. The Demons (Les Demons) seduces Blu-ray collections on April 29; filled with more soft-core nunsploitation witchcraft than you can shake a broomstick at. Previously unreleased in the U.S. should not come as a surprise to anyone who happens to pop the disc in with the abundance of sex scenes on hand, you may want to watch this one alone, boys.

The Demons, Jess Franco, Jesus FrancoInquisition horror and witches actually make this release feel rather timely after the success of American Horror Story’s third season “Coven” and the just kicked-off first season of WGN America’s Salem. In The Demons, we open upon the trial of a woman being tested involving pokes, prods, and water evaporation leading to her being burned at the stake where she curses Lady de Winter (Karin Field), grand inquisitor Jeffries (Cihangir Gaffari), and their right-hand man Renfield (Alberto Dalbés). Turns out the old hag has two daughters living in a convent, Kathleen (Anne Libert) and Margaret (Britt Nichols), who are charged with being witches after exploiting in sins of their own flesh. Now, the two girls must save themselves and exact revenge against those who killed their mother.

As with all Kino/Redemption releases, the packaging stakes claim in being “newly mastered in HD from the original 35mm elements.” Presented in its original 2.35:1 aspect ratio on a 50GB disc, the film looks reasonable enough, but still suffers from the as-is approach. Not that this is the kind of film that demands a frame-by-frame restoration, if any of the Kino releases aside from maybe their Mario Bava Collection. Nonetheless, the film features enough grain to keep a cinematic look, even if it takes on the soft look of most ’70s productions. Aliasing and crush never make an appearance, but some scenes look way worse than the rest.

The opening sequence is filled with excessive noise and a flickering effect, while another around the 90-minute mark looks the same but adds in a jittery look as if being played through a rickety projector and being slightly mis-framed. Scratch marks, vertical lines, and stray hairs are par for the course. The LPCM 2.0 audio track leaves even more to be desired. Dubbed in French and German, there are times where it looks like it might be the original language being spoken, but then there times when people’s lips are moving but there’s no dialogue at all. A few scenes seem to be recorded at a lower volume, but it never spikes so if you leave your volume level alone, it goes back to normal eventually, and with the included English subtitles, it’s not like you’ll miss anything anyway.

The special features are fulfilling, kicked off with a 16-minute interview with director Franco who admits the film is just as bad 20-years later — which makes this interview more than 10 years old now — as it was when first released. Interestingly enough, these are the first words spoken. Six minutes of deleted footage plays, without sound, featuring additional footage that was included in alternate cuts and trailers, of which two are included. Also, there are trailers for additional Franco films: The Awful Dr. Orlof, Female Vampire, and Exorcism/Demoniac.

Anyone in the market for softcore horror need look no further, even if I’m sure there’s far better recent material at your disposal. But I guess if you’re looking to delve deeper into film oddities of the past, you can also do far worse than The Demons. Filled to the brim with the aforementioned T&A, a decent video transfer, and Franco’s reputation front and center, it’s exactly what you’d expect from one of the reigning sex-ploitation kings.

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About Cinenerd

A Utah based writer, born and raised in Salt Lake City, UT for better and worse. Cinenerd has had an obsession with film his entire life, finally able to write about them since 2009, and the only thing he loves more are his wife and their two wiener dogs (Beatrix Kiddo and Pixar Animation). He is accredited with the Sundance Film Festival and a member of the Utah Film Critics Association.

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