Elektra Kurtis combines jazz with other ethnic forms. Her mission is to integrate in a natural way these musical traditions and styles as related throughout her life.
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Music Review: Larry Wilson – ‘No Secrets No Lies’
Blending a myriad of sounds and instruments both acoustic and electronic, this musical journey promises a spectrum of sonic delight that’s sure to appeal to music lovers everywhere.
Read More »Concert Review: Martin McQuade at Gulf Coast Restaurant in Brooklyn, NY, August 7, 2016
Vocalist Martin McQuade and pianist/background vocalist Pete Sokolow present a jazz-inspired repertoire live at Gulf Coast restaurant in Bay Ridge, Brooklyn.
Read More »Music Review: Livio Almeida – ‘Action & Reaction’
"Livio is an amazing example of playing with all three elements intact, intellect, passion and soul. He writes and performs in that rare balance of precision and yet freedom. This record perfectly captures Livio’s energy in all three elements." - Arturo O’Farrill
Read More »Music Review: Sundae + Mr. Goessl – ‘Makes My Heart Sway’
'Makes My Heart Sway' is Sundae + Mr. Goessl’s newest album. A follow-up to their debut 'Cheek to Cheek' (2014), it features a moody and diverse palette.
Read More »Music Review: Corey Kendrick Trio – ‘Rootless’
The Corey Kendrick Trio combines the infectious swing of the Oscar Peterson Trio and the intricate interaction of the Bill Evans Trio with a modern harmonic sensibility to create a truly dynamic group sound. Established while studying under Rodney Whitaker at Michigan State, the Corey Kendrick Trio has developed their melody-driven, straight-ahead sound over two and a half years of extensive performing.
Read More »Music Review: Scott Reeves Jazz Orchestra – ‘Portraits and Places’
After years of writing for Dave Liebman’s Big Band, the Westchester Jazz Orchestra, Bill Mobley’s Smoke Big Band, and the BMI Jazz Composers Orchestra, brassman/composer Scott Reeves launched his own 16-piece jazz orchestra in 2008. Their 2016 debut release, Portraits and Places, features seven Reeves originals, along with his arrangement of Jobim’s, “Waters of March.” He has forged an original compositional style which All About Jazz described as “varied and substantial, ranging from hard bop and Latin oriented themes...to French impressionist influences. His arrangements are restless, full of color, and provide ample solo space...amidst variable underpinnings.”
Read More »Music Review: Sound Underground – ‘Quiet Spaces’
True to Wayne Shorter’s mantra, a spirit of curiosity permeates 'Quiet Spaces.' From beginning to end, the trio leaves no stone unturned. They question the tuneful themes of the opening “Tiny Kingdom” and the title track “Quiet Spaces,” reshaping them through wide emotional landscapes. On “Awake With A Start” they examine the moment of being startled and discover its multitude of hues in Leon’s playful solo. Indeed, the three seem to find inspiration in the most unexpected of places. This is most apparent in the two-part “$2.43 Regular Unleaded,” which takes the hocketing beeps from a car door and a gas pump on a dizzying, mechanistic joy ride.
Read More »Music Review: Hank Marvin – ‘Django’s Castle’
A compilation of swing jazz numbers from guitarist Hank Marvin displays the intricate detailing of his fretwork and melodic sensibilities.
Read More »Music Review: Ferenc Nemeth and Attila László – ‘Bridges of Souls’
'Bridges of Souls' from jazz fusion artists Ferenc Nemeth and Attila László establishes a rhythm that keeps the music moving in a state of flux.
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