Central Conservatory of Music Symphony Orchestra of Beijing (CCOM) will perform U.S. premieres of music for modern symphony orchestra and traditional Chinese instruments at its American debut at Carnegie Hall.

A stage adaptation of Clarice Lispector's stream-of-consciousness debut novel boasts a fine lead performance by Sarah Lemp, but sadly is not a page-turner.

In Heartbeat Opera's smartly staged and beautifully sung reimagining of Der Freischütz, the mystical story Weber adapted from a supernatural folk tale resettles comfortably in the American South.

Aspect presented a concert of Russian music by Tchaikovsky, Glinka, and Lyadov from an accomplished, though ad hoc, piano trio featuring a 2019 International Tchaikovsky Competition First Prize winner.

Pianist Ching-Yun Hu performed a kick-off concert for GetClassical in School, a new program that classical music concert artists into NYC schools.

With his invented instruments and appetite for recasting 20th-century American cultural touchstones, Harry Partch created works that still surprise us, as the new album from the ensemble Partch reminds us.

In this earthy, magical-realist dive into small-town Southern life two centuries ago, Westover explores the boundaries of medical science and superstition.

Reference Recordings releases fine new renditions of Gustav Holst's 'The Planets,' Ralph Vaughan Williams' 'Dona Nobis Pacem, and Mason Bates' 'Children of Adam'.

DeBargue brings out a stunning array of emotions and effects in 52 astoundingly inventive and ahead-of-their-time sonatas by Domenico Scarlatti.

The fiery pianist performed Scarlatti, Janacek, Debussy, Ginastera, and Beethoven's Moonlight Sonata at BPAC.