Tuesday , March 19 2024

Ilona Oltuski

About GetClassical – Positively Personal Performance Welcome to GetClassical – a platform for classical music enthusiasts, offering information about today’s classical music scene through our blog posts and connecting new audiences to GetClassical’s concert events. Music Journalist and founder of GetClassical, Ilona Oltuski, (member of MCANA) is thrilled to announce a new season with a variety of great performances by upcoming and arrived musicians, of great caliber. Some, you will have heard here first, some are household names within New York’s vibrant music scene – but all collaborations are based on close relationships with the artists and appreciation for their great, musical talent. GetClassical continues its relationship with WWFM whose broad spectrum of listeners we would like to welcome for another exciting season of broadcasts. We produce events of a great variety, performed at different venues: from cabaret star Adrienne Haan’s Carnegie Hall’s debut at Weill Recital Hall, to world renowned cellist Mischa Maisky and friends, at LePoisson Rouge. Art lovers will experience music in their favorite environment: Soho’s art gallery Louis Meisel. Our monthly series at the very intimate, downtown Jazz Club Zinc Bar, right in the heart of New York City’s downtown nightlife scene continues, while we are looking forward to a new collaboration for a GetClassical Salon series, with Yamaha Artists Services, at their newly renovated showroom. Classical music has a great tradition, but musicians realize the importance of reaching out to a wider audience, and to create a fresh outlook and enthusiasm to classical music. What makes our concerts special is the actual concert experience: GetClassical creates a very personal and relaxed environment that encourages people – with a glass of wine in hand – … to celebrate talent, the way it used to be celebrated when classical compositions of the day, represented the newest talent on the block. It’s in this spirit of community building and artistic interaction; we also welcome visiting guest artists to the stage. Jazz musicians have always encouraged “jamming” together – we will extend this friendly gesture to the classical experience, adding an element of excitement and surprise. You will definitely have the opportunity to meet the artists, up close and personal – we bring the after-party to the concert.

Piano School of NYC: Making It Possible for Everyone to Fall in Love with Music

piano school of nyc

When pianist Vera Anselmo, who trained at Juilliard and Mannes School of Music, started giving piano and music lessons at local schools in Manhattan’s Upper West Side and Harlem in 2001, she did not realize the potential impact her 'Piano School of New York City' would make over the years. But her passion to bring the gift of music to all had always been her driving force.

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New Enthusiasm for Eurythmy: Gabrielle Armenier Moves to Illuminate the Human Experience and Creative Process  

Eurythmy produces a performing experience unlike many others; it lures you in to new shores, perhaps a bit like the song of the sirens once captured Odysseus.

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Interview: Emerson String Quartet on Teaming with Piano Virtuoso Evgeny Kissin for 2018 Concert Tour

Evgeny Kissin in Verbier, 2011 (Ilona Oltuski)

With this special chamber music venture that pairs Carnegie Hall’s darling with a formal string ensemble for the first time, Kissin continues to expand his creative spectrum, broadening his offerings even further, past Jewish poetry recitals and his latest foray into writing and composing.

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From Russia to America: Pianist, Composer, and Transcriber Vyacheslav Gryaznov Delights in Musical Storytelling

While the pianist's impression is by no means comprehensive due to the short time he has spent here, the notion that the Russian pedagogical culture could be producing lazy students while the United States’ could be producing lazy teachers may not be so far-fetched.

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A Mostly Mozart 50-Year Retrospective: Making the Most of Mozart’s Genre-Bending Spell

Over its 50 years, the Mostly Mozart Festival has built a large following, enjoyed an international reputation and presented A-list performers, all while tending to the shifting expectations of trendy New Yorkers. Under festival director Jane Moss and music director Louis Langrée, it genially circumvents the self-imposed restriction of its catchy name.

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