Sattar captures the enormous foundational Indian epic in a package written for older children and young adult readers. But it's accessible for all ages, and many adults ignorant of Indian legends, like me, will find it of interest, as well as visually striking.
Read More »Jon Sobel
Theater Review (NYC): ‘the hollower’ by Liza Birkenmeier
This New Light Theater Project premiere is perceptively imagined, lovingly staged, beautifully acted, and definitely different.
Read More »Concert Review: ‘Joachim Stutschewsky and the Music of His World’ with Julian Schwarz and Marika Bournaki (NYC, 22 May 2018)
We're fortunate these neglected composers of the New Jewish National School have found worthy champions.
Read More »Theater Review (NYC Off-Broadway): ‘Peace for Mary Frances’ by Lily Thorne, Starring Lois Smith
Thorne's story plunges into the troubled waters of modern hospice care, even as it swims with the prehistoric sharks of family squabbles and old wounds.
Read More »Concert Review: Four Nations Ensemble and Sherezade Panthaki – ‘Fête Galante’ (NYC, 17 May 2018)
The music of the Fête Galante-era composers like Jean-Marie Leclair counteracted the grand style of their predecessors, just as Watteau's paintings of regular people enjoying simple pleasures in the outdoors contrasted with the heavy subject matter of the art he'd grown up with.
Read More »Exclusive Interview: Cellist Julian Schwarz on Joachim Stutschewsky and 20th-Century Jewish Music
"With the rise of worldwide anti-Semitism, it has been difficult for me to program Jewish works. I remember a certain recital when I was asked to remove a suite of pieces by Ernest Bloch for fear of audience distaste."
Read More »Music Review: Amit Peled, Noreen Polera – ‘To Brahms, with Love: From the Cello of Pablo Casals’
The musicians make technique seem invisible on this wonderful new recording, with Amit Peled playing Pablo Casals's cello in two of the greatest works of the Romantic era.
Read More »Concert Review: Tenet – ‘Music of the Trouvères’ (NYC, 11 May 2018)
The contemporary folk music scene and the Early Music scene intersect more than you might think. The Early Music ensemble Tenet proved it decisively with this program, demonstrating such sublime musicianship that I hope they preserve it for future concerts and in a recording studio.
Read More »Theater Review (NYC): ‘The Sea Concerto’ by August Schulenburg
A deeply personal story of love, weakness, and venality, 'The Sea Concerto' addresses wider issues too, often with penetrating clarity.
Read More »Theater Review (NYC): ‘Transparent Falsehood’ Tackles Donald Trump’s Inner World
By choosing not to do an impression of Trump's mien or mode of speaking, Gil Kofman's well-intentioned new show focuses on the inner Trump, or at least a plausible conception thereof.
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