Prize-winning and commissioned compositions from the Azrieli Foundation received New York premieres at Lincoln Center.

"I just have a hard time believing Brahms would deliberately be such a rude guest!" Pianist Per Tengstrad talks to us about his upcoming concert in New York City playing the music of Brahms and Liszt.

Flanagan performed solo violin works he commissioned from a plethora of contemporary composers, all inspired by artworks.

The Bard Festival Chorale and soloists joined Leon Botstein and the ASO for Schoenberg's massively orchestrated, rarely heard cantata.

A cabaret-style show brings to life the barrier-smashing female director who was also an infamous filmmaker for the Nazis.

Misha Shulman uses the physical storytelling style of Kerala, India to explore the story of Exodus from Pharaoh's point of view.

What's happening in composers' lives often reverberates in the music they produce. The Asepct Chamber Music Series explored this at a revealing concert.

The Roman tragedy of Emperor Nero and his wives is told from the women's perspective in new Michael Hersch opera.

Whittled-down Shakespeare and songs from modern times turn the romantic tragedy into an intimate piece of living-room theater.

New works by Azrieli Music Prize winners Iman Habibi, Aharon Harlap and Rita Ueda will receive U.S. debuts with Orchestra of St. Lukes.