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Tulis McCall is an actor and writer in New York. Her online theatre reviews can be found at Usher Nonsense.
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The bomb is just one of those things that, even with no one to fight, once you have it you are just itching to set it off.
Campbell Scott is good, but in this play the whole is less than the sum of the parts.
I have two words for you: Diane Wiest. Go see her work.
What was the story of an acting company trapped in Warsaw has been turned into a production void of intellect or emotion.
Watching this is a little like watching the stock market trajectory on October 15th. No fun. No logic. And definitely no kindness.
Everyone's phoning in their parts and waiting for the curtain call in this dull and unkempt production.
Everyone is doing the very best they can in this show, but they are limited by the very theme they chose to celebrate.
I don’t think I would be accused of telling tales out of school if I said that the best part of this production is the intermission.
Three Changes is an exercise in frustration. Better you should ride the #4 at rush hour.
All I can tell you is that Michael Weller has been reading one too many Marvel Comic Books.
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