Sean T. Collins - Page 4

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• 7 Switchblade stings in a tenth of a moment: King Crimson's Red

  A quick look at an album that gives "joylessness" a good name.

  in Music — by Sean T. Collins — on Jun 16, 2003

• 6 The King of New York: Marvel Comics' Kingpin by Jones-Phillips-Janson

  A new title proves that "a good crime comic from a superhero company" needn't be a contradiction in terms.

  in Books — by Sean T. Collins — on Jun 13, 2003

• 5 "No no no no no no no no": Radiohead's Hail to the Thief and Deftones' Deftones

  The band that transcended Britpop succumbs to post-millenium tension; the band that transcended nu-metal shatters it.

  in Music — by Sean T. Collins — on Jun 12, 2003

• 4 Maximum Heaviosity: Led Zeppelin's How the West Was Won and Yeah Yeah Yeahs' Fever to Tell

  Four Englishmen demonstrate why they ruled the world, and one American woman (and her two male friends) show why they deserve to inherit the throne.

  in Music — by Sean T. Collins — on Jun 12, 2003

• 3 Comics to the People: Right On?

  A comics-industry bigwig offers a battle plan for increasing sales and strength. He's fighting the good fight--but is he fighting the right one?

  in Books — by Sean T. Collins — on Jun 05, 2003

• 2 "This Isn't Happening": Radiohead and the Casualties of the Culture Wars

  Days before the world says Hail to the Thief, have Radiohead themselves been stolen away?

  in Music — by Sean T. Collins — on Jun 04, 2003

• 1 Marilyn Manson: The Golden Age of Grotesque and Prince Paul: Politics of the Business

  What in God's--ahem, Satan's--name do cabaret, 20-inch rims and Prince Paul have to do with Marilyn Manson's new record?

  in Music — by Sean T. Collins — on Jun 03, 2003