ROBERT MACHRAY has appeared in over 150 plays and has worked at 14 Tony Award-winning theatres. He has been nominated for and won numerous awards. Robert has a B.A. from Yale and an M.F.A. from USC. He has taught at USC, UCLA, UCSB, and Pasadena City College. Robert was the Artistic Director for the Classical Theatre Lab in Los Angeles. He has directed, cast, produced, and acted.
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258
Theatre Review (LA): Stop the World – I Want to Get Off at the Alex Theatre
In a weak production of a rarely revived musical, Tracy Lore still scores big.
Megan Mullally stars in a little gem in which she shows she is a lot more than Will and Grace's boozy Karen.
256
Opera Review (LA): The Elixir of Love by Donizetti at the Dorothy Chandler Pavilion
The Elixer of Love, even with some substitute singers, charms at the LA Opera.
255
Concert Review: "Blame it on Rio" with Hollywood Bowl Orchestra, Bebel Gilberto and seu Jorge at the Hollywood Bowl, Los Angeles
A potpourri of sounds of Brazil featuring the Hollywood Bowl Orchestra, Bebel Gilberto, and Seu Jorge light up the night in Los Angeles.
254
Concert Review : Requiem by Berlioz at the Hollywood Bowl, Los Angeles
Berlioz Requiem gets a glorious outing at the Hollywood Bowl.
JoBeth Willians stars in a confused and insubstantial play set in Rio.
252
Theatre Review (LA): Block Nine by Tom Stanczyk at the Lillian Theatre
An unapologetic same-sex retro-noir homage to the gangster genre, with over-the-top performances and lots of kissing.
251
Cabaret Review (Los Angeles): Kelly Dodson, Jon Paul Burkhart, and Josie Yount at Sterling's Upstairs at Vitello's
Kelly Dodson, Jon Paul Burkhart, and Josie Yount present a wonderful evening of cabaret at Sterling's Upstairs at Vittello's.
250
Theatre Review (LA): Anita Bryant Died For Your Sins by Brian Christopher Williams at the El Centro Theatre
A terrific West Coast production of a play that's more than just another coming-out story.
249
Theatre Review (San Diego): Oedipus the King, Mama! by Matt Walker and the Troubadour Theater Company
Hilarity triumphs in Matt Walker's zany adaptation of "Oedipus Rex," with the help of Elvis Presley's music.
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