"A sinister cabal of superior writers."
ROBERT MACHRAY has appeared in over 150 plays and has worked at 14 Tony Award-winning theatres. He has been nominated for and won numerous awards. Robert has a B.A. from Yale and an M.F.A. from USC. He has taught at USC, UCLA, UCSB, and Pasadena City College. Robert was the Artistic Director for the Classical Theatre Lab in Los Angeles. He has directed, cast, produced, and acted.
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268
Theatre Review (NYC): Homer's Odyssey by Simon Armitage
The Handcart Ensemble delivers an inventive retelling of Homer's Odyssey in New York City.
267
Theatre Review (NYC): The Cambria by Donal O'Kelly at the Irish Arts Center
This provocative but flawed play is about Frederick Douglass' journey to Ireland.
266
Opera Review (NYC): The Marriage of Figaro at the Metropolitan Opera
A nearly perfect "Figaro," directed by Jonathan Miller at the Met.
265
Theatre Review (LA): Naked Boys Singing by Robert Schrock at the Macha
We're more jaded now than when nudity first appeared on stage, but this revival proves Naked Boys Singing has legs.
264
Theatre Review (Los Angeles):Putting It Together by Sondheim at South Coast Repertory
Putting It Together has a good production in Coats Mesa with Harry Groener
263
Opera Review (LA): Siegfried at the Dorothy Chandler Pavilion
Part three of the Los Angeles Ring as seen through the imagination of Achim Freyer. Siegfried is the best so far.
262
Theatre Review (LA): An Evening Without Monty Python by Eric Idle and B. T. McNichol
Monty Python skits live again, and again, and again. Hilarious.
261
Theatre Review (LA): Shining City by Conor McPherson at the Fountain Theatre
Conor McPherson's psychiatric ghost story gets a lovely L.A. premiere starring Morlan Higgins.
260
Theatre Review (LA): Matthew Modine Saves the Alpacas by Blair Singer
Matthew Modine, Peri Gilpin, and French Stewart star in a play that could use a rewrite.
259
Theatre Review (LA): Peace by Aristophanes and John Glore at the Getty Villa Outdoor Amphitheatre
Culture Clash and the Getty Villa have a smash with Aristophanes' wildest and dirtiest play.
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